Moretto’s work is defined by its sixteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Mary Magdalene
Moretto da Brescia (Alessandro Bonvicino; Italian, c. 1492/95–1554)
Christ before Pilate
Giovanni Antonio da Brescia Italian, c. 1460-1520
Judith with the Head of Holofernes
Giovanni Antonio da Brescia (Italian, c. 1460-c. 1520) after Andrea Mantegna (Italian, 1430/31-1506)
Four Children Playing, plate seven of Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523
Seven Cupids with Two Rams in a Landscape
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
Two Peasants
Architectural Details: Base, Capital, and Mask
Venus
The Holy Family with the Infant Saint John
Giovanni Antonio da Brescia (Italian, active c. 1490-after 1525) after Andrea Mantegna (Italian, 1431-1506)
Griffins and Two Cupids Crossing Halberds, plate five of Twelve Ornament Panels
The Nativity and the Adoration of the Shepherds
Nicoletto da Modena Italian, active c. 1500–c. 1520
Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)
Portrait of a Noblewoman Dressed in Mourning
Jacopo da Empoli (Jacopo Chimenti; Italian, 1551–1640)
Saint Luke Drawing the Virgin and Christ Child
Girolamo da Carpi (Girolamo Sellari; Italian, c. 1501–1556)
Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a Choirbook
Italian (probably Rimini) related to the style of Neri da Rimini (Italian, active 1300-1322)
The Holy Trinity with Saint Michael Conquering the Dragon
Pietro da Cortona Italian, 1596-1669
Virgin and Child
After Desiderio da Settignano (Italian, 1428-1464)
Flight of Celia
Possibly after Polidoro Caldara, called Polidoro da Caravaggio Italian, c. 1499-c. 1543
Upper Part of a Tabernacle for the Holy Sacrament
Isaia da Pisa (Italian, active 1428–64)
Two Roman Warriors with She-Wolf, Romulus, and Remus
After Polidoro Caldara, called Polidoro da Caravaggio Italian, c. 1499-c. 1543