Paulus’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Portrait of a Young Lady
Paulus Moreelse (Dutch, 1571–1638)

Cupid with Youth and Luxury
Paulus Moreelse Dutch, 1571–1638

Venus and Mars Discovered by Apollo
Jacob Matham (Dutch, 1571–1631) after Paulus Moreelse (Dutch, 1571–1638)

Abraham Bloemaert
Jacob Matham (Dutch, 1571–1631) after Paulus Moreelse (Dutch, 1571-1638)

Madonna and Child Adored by Saint Francis
Style of Pietro Novelli (Italian, 1603-1647) or Paulus Moreelse (Dutch, 1571-1638)

The Bull
Paulus Potter Dutch, 1625-1654

Two Cows and a Young Bull beside a Fence in a Meadow
Paulus Potter (Dutch, 1625–1654)

Cow Lying Beside a Tree, plate 7 from Eight Bulls and Cows
Paulus Potter Dutch, 1625-1654

Two Bulls Fighting
Paulus Potter Dutch, 1625-1654

The Shepherd
Paulus Potter Dutch, 1625-1654

Paulus Pontius
Anthony van Dyck Flemish, 1599-1641

Man Adjusting Saddle on Horse
Possibly after Paulus Potter Dutch, 1625-1654

Head of Cow
After Paulus Potter (Dutch, 1625-1654) or Edwin Henry Landseer (English, 1802-1873)

The Frisian Horse, from Series of Horses
Paulus Potter Dutch, 1625–1654

The Neighing Horse, from Series of Horses
Paulus Potter Dutch, 1625–1654

The Cropped Horse, from Series of Horses
Paulus Potter Dutch, 1625–1654

The Plough Horse, from Series of Horses
Paulus Potter Dutch, 1625–1654

The Worn-Out Horse, (La Mazette), from Series of Horses
Paulus Potter Dutch, 1625–1654

The Bull, from Various Oxen and Cows
Paulus Potter Dutch, 1625–1654

A Cow Standing and Another Lying Down, from Various Oxen and Cows
Paulus Potter Dutch, 1625–1654