Paulus’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Portrait of a Young Lady
Paulus Moreelse (Dutch, 1571–1638)
Cupid with Youth and Luxury
Paulus Moreelse Dutch, 1571–1638
Venus and Mars Discovered by Apollo
Jacob Matham (Dutch, 1571–1631) after Paulus Moreelse (Dutch, 1571–1638)
Abraham Bloemaert
Jacob Matham (Dutch, 1571–1631) after Paulus Moreelse (Dutch, 1571-1638)
Madonna and Child Adored by Saint Francis
Style of Pietro Novelli (Italian, 1603-1647) or Paulus Moreelse (Dutch, 1571-1638)
The Bull
Paulus Potter Dutch, 1625-1654
Two Cows and a Young Bull beside a Fence in a Meadow
Paulus Potter (Dutch, 1625–1654)
Cow Lying Beside a Tree, plate 7 from Eight Bulls and Cows
Two Bulls Fighting
The Shepherd
Paulus Pontius
Anthony van Dyck Flemish, 1599-1641
Man Adjusting Saddle on Horse
Possibly after Paulus Potter Dutch, 1625-1654
Head of Cow
After Paulus Potter (Dutch, 1625-1654) or Edwin Henry Landseer (English, 1802-1873)
The Bull, from Various Oxen and Cows
Paulus Potter Dutch, 1625–1654
A Cow Standing and Another Lying Down, from Various Oxen and Cows
The Cow Lying Down near a Fence, from Various Oxen and Cows
The Grazing Cow, from Various Oxen and Cows
The Cow with a Crumpled Horn, from Various Oxen and Cows
The Pissing Cow, from Various Oxen and Cows