Domenico’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Christ Giving Communion (The Institution of the Eucharist)
Attributed to Domenico Mondo (Italian, 1732-1806) or Jean Restout (French, 1692-1768)
Apotheosis of a Hero
Possibly Domenico Mondo (Italian, 1732-1806) or James Thornhill (English, 1675-1734)
Penitent Magdalene
Domenico Mondo Italian, 1732-1806
David and Abigail
Saint called to Papal Chair
Attributed to Domenico Mondo (Italian, 1732-1806) or Francesco Solimena (Italian, 1657-1747) or Giovanni Battista Tiepolo (Italian, 1696-1770)
Forge of Vulcan
Arch with Two Angels Holding Garland
Style of Francesco Solimena (Italian, 1657-1747) or Giovanni Battista Tiepolo (Italian, 1696-1770) or Domenico Mondo (Italian, 1732-1806)
Venus and Mars with Cupid and the Three Graces in a Landscape
Domenico Tintoretto (Italian, 1560–1635)
The Assumption of the Virgin
El Greco (Doménikos Theotokópoulos; Greek, active in Spain, 1541–1614)
Domenico da Gambassi
Andrea del Sarto (Italian, 1486–1530)
Male Nude Seen from the Back
Possibly Domenico Maggiotto Italian, 1713-1794
Battle of the Naked Men
Domenico Campagnola Italian, c. 1500-1564
Feast of San Domenico, Cocullo
Chim (David Seymour) American, born Poland, 1911–1956
Jupiter and Callisto
Domenico Vito (Italian, active 1576-1586) after Pierre Milan (French, died 1557) after Francesco Primaticcio (Italian, 1504-1570)
Saint Francis Kneeling in Meditation
Satyr Surprising a Satyress
Giovanni Domenico Tiepolo Italian, 1727-1804
Saint Martin and the Beggar
Head of a Philosopher
Giovanni Domenico Tiepolo (Italian, 1727–1804)
Lion, Lioness and Cubs
Sketch for a Ceiling Fresco
Giovanni Domenico Ferretti da Imola (Italian, 1692–1768)