Artist

Georges Michel

1763–1843

132681

Works

Years lived

nineteenth century

Style

Georges’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Selected works

132681 pieces

The Storm

Georges Michel (French, 1763-1843)

A Sunday on La Grande Jatte — 1884

Georges Seurat (French, 1859–1891)

The Church of Santa Maria della Salute, Venice

Michele Marieschi (Italian, 1710–1743)

The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Image of Death (Imago Mortis), from the Nuremberg Chronicle

Michael Wolgemut and Workshop German, 1434-1519

Portrait of a Lady

Michele Tosini (Michele di Ridolfo; Italian, 1503–1577)

Morion for the Bodyguard of the Elector of Saxony

Probably Hans Michel (German, 1539-1599) Nuremberg

Christ Presented to the People, page 73 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Scourging of Christ (verso), and The Israelites Enslaved in Egypt (recto), from Schatzbehalter (Treasury)

Michel Wolgemut (German, 1434/37–1519) printed and published by Anton Koberger (German, c. 1440/45–1513) original text by Stephan Fridolin (German, c. 1430–1498) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)