Luigi’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Views in Egypt (text)
Luigi Mayer (Italian, active 1776-1792) engraved by Thomas Milton (English, 1743-1827) printed by Thomas Bensley (English, 1760-1835) published by Robert Bowyer (English, 1758-1834)
Views in Egypt (plates)
The Arch of Septimus Severus
Luigi Rossini Italian, 1790-1857
Love's Melancholy
Constant Mayer (American, born France, 1832–1911)
Bishop Blessing a Kneeling Man OR Meeting of Emperor Theodosius and Bishop Ambrose
Attributed to Luigi Benfatto Italian, c. 1544-c. 1609
Armchair
Luigi Frullini Italian, 1839–1897 Florence, Italy
The Boathouse
Luigi Loir (French, 1845-1916)
Adoration of the Host
Attributed to Luigi Garzi (Italian, 1638-1721) or Fidele Fischetti (Italian, 1734-1789) or an uknown Venetian artist
Crucifixion of Saint Peter
Luigi Valadier (Italian, 1726–1785) Workshop of Luigi Valadier (Italian, 1726–1785)
Red Torso (#141)
Martha Mayer Erlebacher American, born 1937
Spanish Still Life
Study for Woman with Chaos, Time and Death
Portrait of Luigi Edouardo Rossi, Count Pellegrino
Follower of Jean Auguste Dominique Ingres (French, 1780–1867)
The Elusive Nature of Reality
Portrait of Jalane Davidson
Orange Female Torso
Torso II
Madame Carrelle
Pierre-Louis Pierson, French, 1822-1913 Louis Frédéric Mayer, French
Reclining Torso I
Portrait of Richard Davidson