Henry’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Two Sketches: Father and Daughter
Henry Stacy Marks English, 1829-1898

Cat on Doorstep
Henry Stacy Marks English, 1829-1898

Seated Woman Resting on her Elbow
Henry Stacy Marks English, 1829-1898

Unfinished Sketch of Seated Man
Henry Stacy Marks English, 1829-1898

Sketches of Drapery
Henry Stacy Marks English, 1829-1898

Girl with Rake
Henry Stacy Marks English, 1829-1898

Woman Putting Her Foot into Water, with Small Sketch of Standing Woman
Henry Stacy Marks English, 1829-1898

Standing Woman in Profile
Henry Stacy Marks English, 1829-1898

Standing Man Smoking a Pipe, Seen from Behind
Henry Stacy Marks English, 1829-1898

Woman Standing Near Door, Holding Letter
Henry Stacy Marks English, 1829-1898

Woman Reclining
Henry Stacy Marks English, 1829-1898

Sketches of Seated and Standing Monks, Drapery, and a Hand
Henry Stacy Marks English, 1829-1898

Welcombe
Henry Stacy Marks English, 1829-1898

Unfinished Sketch of Man in Tunic
Henry Stacy Marks English, 1829-1898

Woman in Loose Gown on Chair
Henry Stacy Marks English, 1829-1898

Seated Woman Leaning on Pillows
Henry Stacy Marks English, 1829-1898

Two Sketches of Standing Laborer
Henry Stacy Marks English, 1829-1898

Man Seated in a Sailboat
Attributed to Henry Stacy Marks English, 1829-1898

Man on Horseback
Henry Stacy Marks English, 1829-1898

Archway Leading to Grammar School, Bristol
Attributed to Henry Stacy Marks English, 1829-1898