Maki’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Proportion I
Maki Haku Japanese, 1924-2000

Emanation-7
Maki Haku Japanese, 1924-2000

Poem-7
Maki Haku Japanese, 1924-2000

Poem 67-68
Maki Haku Japanese, 1924-2000

Symbol No. 4
Maki Haku Japanese, 1924-2000

Work 75-24
Maki Haku Japanese, 1924-2000

Composition 63-A
Maki Haku Japanese, 1924-2000

Collection A
Maki Haku Japanese, 1924-2000

Work 75-41
Maki Haku Japanese, 1924-2000

Firewood (Maki)
Kitaoka Fumio Japanese, 1918-2007

Haku Rakuten, from the series "Pictures of No Performances (Nogaku Zue)"
Tsukioka Kogyo Japanese, 1869-1927

Takeda Mechanical Device (Takeda karakuri): Haku Rakuten (Chinese: Bai Juyi) and the fisherman
Kubo Shunman (Japanese, 1757–1820)

Li Bai (Japanese: Ri Haku), from the series "A True Mirror of Japanese and Chinese Poems (Shiika shashin kyo)"
Katsushika Hokusai 葛飾 北斎 Japanese, 1760-1849

Hachi-maki, from the series "Pictures of No Performances (Nogaku Zue)"
Tsukioka Kogyo Japanese, 1869-1927

Makie Daizen
Ōoka Shunsen 大岡春扇 Japanese, 1719-1773

The Actor Arashi Sangoro II as Asahina Saburo in the Play Iro Maki-e Soga no Sakazuki, Performed at the Morita Theater in the First Month, 1773
Katsukawa Shunsho 勝川 春章 Japanese, 1726-1792