Alessandro’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco (Italian, 1667–1749)
Arcadian Landscape with Figures
Picaresque Group with a Monkey and a Magpie
Alessandro Magnasco Italian, 1667-1749
The Synagogue
Alessandro Magnasco (Italian, 1667-1749)
Ballad Singer at a Shrine of the Virgin
Monks at Supper
Study Sheet with Seated Figures
Alessandro Magnasco Italian, 1657-1749
Return of the Prodigal Son
Attributed to Alessandro Magnasco (Italian, 1667-1749) or the style of Francesco Monti (Italian, 1685-1768) after Corrado Giaquinto (Italian, 1693/99-1765)
The Witch
Circle of Alessandro Magnasco (Italian, 1667–1749)
Two Sketches: Man with Dog, Group of Figures
School of Alessandro Magnasco (Italian, 1667-1749) or Nicolas Poussin (French, 1594-1665)
Diana and Nymphs
Attributed to Alessandro Magnasco (Italian, 1667-1749) or the style of Francesco Monti (Italian, 1685-1768) or after Corrado Giaquinto (Italian, 1693/99-1765)
Family of Darius before Alexander
Attributed to Giovanni Battista Pittoni, the younger (Italian, 1687-1767) or Alessandro Magnasco (Italian, 1667-1749) or Gaspare Diziani (Italian, 1689-1767) or style of Alessandro Magnasco
Abba Poemen the Great
Bartolomeo Gazalis (Italian, early 18th century) after Alessandro Magnasco (Italian, 1667-1749)
Couple Beside Tree
Raymond de Lafage (French, 1656-1690) or a follower of Alessandro Magnasco (Italian, 1667-1749)
The Annunciation
Alessandro Vittoria (Italian, 1525–1608)
Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)
Crucifix
Alessandro Algardi (Italian, 1598–1654)
Portrait of a Musician
Alessandro Longhi (Italian, 1733–1813)
Alessandro de' Medici
Jacopo da Pontormo (Jacopo Carrucci; Italian, 1494-1557)
Madonna and Child
Afted Alessandro Algardi (Italian, 1598–1654)