Jean’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Venus Sur Les Aux
Jean-François Janinet French, 1752-1814
The Chariot of Galathee
Marie Antoinette
Jean-François Janinet (French, 1752-1814) After Jean-Baptiste-André Gautier D’Agoty (French, 1740–1786)
Les Trois Graces (The Three Graces)
Jean-François Janinet (French, 1752-1814) after Giovanni Antonio Pellegrini (Italian, 1675-1741)
Mademoiselle Bertin
La Toilette de Venus (The Toilette of Venus)
Jean-François Janinet (French, 1752-1814) after François Boucher (French, 1703-1770)
The Comic Rendevous
Jean-François Janinet (French, 1752-1814) after Jean Antoine Watteau (French, 1684-1721)
Henry IV, Roi de France et de Navarre (Henry IV, King of France and Navarre)
Jean-François Janinet (French, 1752-1814) after Peter Paul Rubens (Flemish, 1577-1640)
Madame Dugazon in the Opera “Nina, ou La folle par amour” (Nina, or The Woman Maddened by Love)
Jean-François Janinet (French, 1752-1814) after Claude Hoin (French, 1750-1817)
The Comedians
The Rustic Hut
Jean-François Janinet (French, 1752-1814) after Adriaen van Ostade (Dutch, 1610-1685)
S. Philippe du Rouk, Paris
Crillon
View of Mazarin College
Le Couronnement de la Rosière (The Crowning of the Rose Maiden) (Furnishing Fabric)
Designed by Jean Baptiste Huet (French, 1745–1811) after Jean Baptiste Greuze (French, 1725-1805) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France
View of the Sorbonne
Geese in a Farmyard
Jean François Millet French, 1814-1875
Peasants Going to Work
Jean François Millet (French, 1814-1875) printed by Auguste Delâtre (French, 1822-1907)
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet (French, 1814–1875)