Shotei’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Susaki, from the series "New Perspective Pictures (Shin uki-e)"
Shotei Hokuju Japanese, active c. 1789-1818
Shichiri Beach at Enoshima (Enoshima Shichirigahama)
Takanawa Okido at the Shinagawa Station (Shinagawa-juku Takanawa Okido), from the series "Eastern Capital (Toto)"
View of Tsukuda Island (Tsukudajima no kei), from the series "Eastern Capital (Toto)"
View of the Rokugo River Crossing at the Kawasaki Station (Kawasaki-juku Rokugo kawa watashi no zu), from the series "Tokaido Road (Tokaido)"
Shinsen Banshoku zukō
Shōtei Hokuju 昇亭北寿 Japanese, active 1789-1818
Looking out to Sea from the Benten Shrine at Susaki in Fukagawa (Fukagawa Susaki Benten yori kaijo o nozomu), from the series "Eastern Capital (Toto)"
Inatori Bay in Izu
Takahashi Hiroaki (Shotei) Japanese, 1871–1945
Five-storied Pagoda (Goju no to)
Takahashi Hiroaki (Shotei) Japanese, 1871-1945
Mice, Radish, and Carrot
Spring Snow (Shunsetsu)
Mount Fuji from Mizukubo
Izumi Bridge in Rain (Izumibashi no ame)
Okabe
Courtesan Playing Shamisen
Hokuju Japanese, date unknown
Futatsuryu of Izutsuya as a Musician (Hayashi), from the series "Parade of the Shimanouchi Pleasure Quarter (Shimanouchi nerimono)"
Shunshosai Hokuju Japanese, active about 1828–1836