Hashiguchi’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Woman in Summer Clothing (Portrait of Nakatani Tsuru)
Hashiguchi Goyo (Japanese, 1881–1921)

Snow at Mount Ibuki
Hashiguchi Goyo (Japanese, 1881–1921)

Bust of a Woman
Hashiguchi Goyo (Japanese, 1881–1921)

Woman Combing her Hair (Portrait of Kodaira Tomi)
Hashiguchi Goyo (Japanese, 1881–1921)

Snow at Mount Ibuki
Hashiguchi Goyo (Japanese, 1881–1921)

Woman Combing Her Hair (Portrait of Kodaira Tomi)
Hashiguchi Goyo (Japanese, 1881–1921)

Nude
Hashiguchi Goyo (Japanese, 1881–1921)

Sketch for Indian Tale
Hashiguchi Goyo (Japanese, 1881–1921)
![Woman after a Bath [Portrait of Kodaira Tomi]](https://www.artic.edu/iiif/2/b1e5a024-a7d2-2547-17b0-b81baad38073/full/400,/0/default.jpg)
Woman after a Bath [Portrait of Kodaira Tomi]
Hashiguchi Goyo (Japanese, 1881–1921)

Two Women Bathing
Hashiguchi Goyo (Japanese, 1881–1921)

Yabakei Valley
Hashiguchi Goyo (Japanese, 1881–1921)

Ducks
Hashiguchi Goyo (Japanese, 1881–1921)

Woman at the Bath
Hashiguchi Goyo (Japanese, 1881–1921)

The Great Bridge of Sanjo in Kyoto (Kyoto Sanjo Ohashi)
Hashiguchi Goyo (Japanese, 1881–1921)

Young Woman Applying Rouge (Portrait of Chiyofuku, a Maiko of Gion, Kyoto)
Hashiguchi Goyo (Japanese, 1881–1921)

Nude
Hashiguchi Goyo (Japanese, 1881–1921)

Woman Applying Powder (Portrait of Nakatani Tsuru)
Hashiguchi Goyo (Japanese, 1881–1921)
![Woman After a Bath (Yokugo no onna) [Portrait of Kodaira Tomi]](https://www.artic.edu/iiif/2/9a565683-d140-c53a-df31-d0660753794f/full/400,/0/default.jpg)
Woman After a Bath (Yokugo no onna) [Portrait of Kodaira Tomi]
Hashiguchi Goyo (Japanese, 1881–1921)

Woman Dressing in Long Undergarment (Portrait of Kodaira Tomi)
Hashiguchi Goyo (Japanese, 1881–1921)

Woman Dressing in Long Undergarment (Portrait of Kodaira Tomi)
Hashiguchi Goyo (Japanese, 1881–1921)