Heinrich’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Last Words of Jean Jacques Rousseau
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814)
Les Dernieres Paroles de J.J. Roseau (The Last Words of J.J. Rosseau)
Renedezvous pour Marly (Rendezvous For Marly, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle)
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814) published by Laurent-François Prault (French 1712-1780)
La Recontre au bois de Boulogne (Meeting in the Woods of Boulogne, from from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle)
Le mercure de France
Heinrich Guttenberg (German, 1749-1818) after Nicolas Lavreince (Swedish, 1737-1807)
Girl
Perrette (French, Unknown) after Heinrich Guttenberg (German, 1749-1818)
Susanna Surprised by the Elders, from The Story of Susanna
Heinrich Aldegrever German, 1502-c.1560
Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr
Landscape
Heinrich Campendonk German, 1889–1957
From Brittany
Heinrich Campendonk German, 1889-1957
Christ in the Storm
Heinrich Jansen (Danish, 1625–1667)
Italian Landscape
Attributed to Heinrich Reinhold (German, 1788–1825)
Lust, from Virtues and Vices
Adam and Eve at Work, from The Story of Adam and Eve
Heinrich Aldegrever German, 1502-c. 1560
Bathsheba at the Bath
The Married Couple, from Krüppel
Heinrich Hoerle German, 1895-1936
Wrath, from the Vices
Ornamental Design with a Bat in the Centre
Eiffel Tower, Paris
Heinrich Hauser German, 1901-1955
Portrait of Two Children
Heinrich Kühn Austrian, born Germany, 1866–1944