Howard’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Shore Line
Howard Giles American, 1876-1955

Nothing Stops These Men
Howard Giles (American, 1876-1955) printed by John H. Eggers Company Incorporated

Bureau Secretary
Attributed to Giles Grendey (born England, 1693–1780) London

Primordial Pool
Howard Dearstyne American, 1903–1979

April Reflection
Howard Dearstyne American, 1903–1979

Abstraction on Concrete
Howard Dearstyne American, 1903–1979
![Untitled [Broken Glass]](https://www.artic.edu/iiif/2/2704c1e0-fc94-ad60-43b1-5eb56bd236ab/full/400,/0/default.jpg)
Untitled [Broken Glass]
Howard Dearstyne American, 1903–1979
![Untitled [Pebbles on Sand]](https://www.artic.edu/iiif/2/0859edde-bde3-b782-dfaa-8e87269df783/full/400,/0/default.jpg)
Untitled [Pebbles on Sand]
Howard Dearstyne American, 1903–1979

Side Chair
Giles Grendey (English, 1693–1780) London, England

The Return of Odysseus (Homage to Pinturicchio and Benin)
Romare Howard Bearden American, 1911-1988

Trinity
Charles Howard (American, 1899–1978)

The Village
Howard Norton Cook American, 1901-1980

Mother and Child, from Conspiracy, The Artist as Witness
Romare Howard Bearden (American, 1914-1988) printed at Shorewood Bank Street Atelier, New York

Sandpiper's Mud Lark
Howard Dearstyne American, 1903–1979

Untitled (Packages Wrapped in Brown Paper)
Howard Dearstyne American, 1903–1979

The Boston Clipper, Lightning
P. Giles American, 19th century

Chair
Attributed to Giles Grendey (born England, 1693–1780) London

The Street
Romare Bearden American, 1911-1988

Chair
Attributed to Giles Grendey (born England, 1693–1780) London

After Degas
Howard Hodgkin English, 1932-2017