Giovanni’s work is defined by its 16th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Portrait of a Lady
Attributed to Giovanni Antonio Fasolo (Italian, 1530–1572)
Interior: A Sultana taking Coffee in the Harem
Giovanni Antonio Guardi (Italian, 1699–1760)
Christ before Pilate
Giovanni Antonio da Brescia Italian, c. 1460-1520
The Serf
Henri Matisse French, 1869–1954
Il Ridotto
Giovanni Antonio Guardi Italian, 1699-1760
Judith with the Head of Holofernes
Giovanni Antonio da Brescia (Italian, c. 1460-c. 1520) after Andrea Mantegna (Italian, 1430/31-1506)
Four Children Playing, plate seven of Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523
Seven Cupids with Two Rams in a Landscape
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
Two Peasants
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi (Italian, 1720-1778) published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9)
Architectural Details: Base, Capital, and Mask
Salome with the Head of Saint John the Baptist Before Herod
Attributed to Giovanni Antonio Pellegrini Italian, 1675-1741
Resting
Antonio Mancini (Italian, 1852–1930)
Acrobats Performing Before a Ruler (recto); Outdoor Scene with Group of Figures (verso)
Attributed to Giovanni Antonio de'Sacchis, called Il Pordenone Italian, c. 1483-1539
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Conversion of St. Paul (recto); Man Seen from Back (verso)
After Giovanni Antonio da Pordenone Italian, c. 1483-1539
Virgin of the Immaculate Conception
Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)
Sudies for the Beheading of Saint John the Baptist (recto); Several Figure Sketches (verso)
Giovanni Bilivert Italian, 1585-1644
Venus
Sketch of Joseph Holding the Christ Child