Cornelis’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Dancing Dog
Cornelis Dusart Dutch, 1660-1704
Hurdy-Gurdy Player
Violin Player Seated in the Inn
Man Lighting a Rocket, also called Peace is Better than a Victory, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
Cornelis Dusart (Dutch, 1660-1704) published by Jacob Gole (Dutch, 1660-1737)
July
The Village Festival
Woman Lighting a Rocket, also called Peace Gets Me Going, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
The Cupper (Kopster)
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658
A Young Man Caressing the Young Hostess
Cornelis Pietersz Bega Dutch, 1631/32-1664
Self-Portrait
Peter Isbrandi
A Witches' Sabbath
Cornelis Saftleven (Dutch, 1607–1681)
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Woman Milking a Cow, plate 3 from Four Landscapes
Cornelis Visscher (Dutch, c. 1629-1658) after Nicolaes Berchem (Dutch, 1620-1683)
The Hurdy-Gurdy Player
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen van Ostade (Dutch, 1610-1685)
Interior in an Inn, called "The Skaters" (De Schaatsenrijder)
The Battle of Zama
After Cornelis Cort (Netherlandish, 1533–1578)
The Large Cat