Pieter’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Travellers Arriving at an Inn
Pieter de Neyn (Dutch, 1597–1639)

Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter Tanjé (Dutch, 1706-1761) after Peter Paul Rubens (Flemish, 1577-1640)

Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)
Pieter Jansz Quast Dutch, 1606-1647

Supper at Emmaus
Pieter de Witte Flemish, 1548-1628

Still Life
Pieter Claesz (Dutch, 1596/97–1660)

A Family Meal
Evert Pieters (Dutch, 1856–1932)

An Elegant Company
Pieter Codde (Dutch, 1599-1678)

Interior, Dutch Girl Peeling an Apple
Evert Pieters Dutch, 1856-1932

Portrait of a Young Girl
Attributed to Pieter Dubordieu (Dutch, c. 1609–after 1678)

Dead Birds and Shot Bags
Attributed to Pieter Boel (Flemish, 1622-1674)

Interrelation of Volumes from the Ellipsoid
Georges Vantongerloo Belgian, 1886–1965

At the Justice of the Peace
Pieter Verhaert (Belgian, 1852–1908)

Mordechai Overhears the Conspiracy from the Story of Esther
Circle of Pieter Cornelisz (1498/90 - 1560/61) or Lucas van Leyden (1489-1533) Northern Netherlandish

The Three Graces
Pieter Tanjé (Dutch, 1706-1761) after Agostino Carracci (Italian, 1557-1602)

Tobias and the Angel
Pieter Mulier, II (Dutch, 1637–1701)

Excavation
Willem de Kooning American, born Netherlands, 1904–1997

Still Life with Ostrich Egg Cup and the Whitfield Heirlooms
Pieter Gerritsz. van Roestraeten (Dutch, 1630–1700)

Sideboard
Daniel Pabst (American, 1826–1910) Philadelphia

Outside of Haarlem
Jan Pieter Waterloo Dutch, 1790-1861

The Crucifixion
Francisco de Zurbarán (Spanish, 1598–1664)