Pieter’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Travellers Arriving at an Inn
Pieter de Neyn (Dutch, 1597–1639)
Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter Tanjé (Dutch, 1706-1761) after Peter Paul Rubens (Flemish, 1577-1640)
Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)
Pieter Jansz Quast Dutch, 1606-1647
Supper at Emmaus
Pieter de Witte Flemish, 1548-1628
Still Life
Pieter Claesz (Dutch, 1596/97–1660)
A Family Meal
Evert Pieters (Dutch, 1856–1932)
An Elegant Company
Pieter Codde (Dutch, 1599-1678)
Interior, Dutch Girl Peeling an Apple
Evert Pieters Dutch, 1856-1932
Portrait of a Young Girl
Attributed to Pieter Dubordieu (Dutch, c. 1609–after 1678)
Dead Birds and Shot Bags
Attributed to Pieter Boel (Flemish, 1622-1674)
Interrelation of Volumes from the Ellipsoid
Georges Vantongerloo Belgian, 1886–1965
At the Justice of the Peace
Pieter Verhaert (Belgian, 1852–1908)
Excavation
Willem de Kooning American, born Netherlands, 1904–1997
Mordechai Overhears the Conspiracy from the Story of Esther
Circle of Pieter Cornelisz (1498/90 - 1560/61) or Lucas van Leyden (1489-1533) Northern Netherlandish
The Three Graces
Pieter Tanjé (Dutch, 1706-1761) after Agostino Carracci (Italian, 1557-1602)
Tobias and the Angel
Pieter Mulier, II (Dutch, 1637–1701)
Still Life with Ostrich Egg Cup and the Whitfield Heirlooms
Pieter Gerritsz. van Roestraeten (Dutch, 1630–1700)
Sideboard
Daniel Pabst (American, 1826–1910) Philadelphia
Outside of Haarlem
Jan Pieter Waterloo Dutch, 1790-1861
The Crucifixion
Francisco de Zurbarán (Spanish, 1598–1664)