Pietro’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Two Bearded Heads
Attributed to Pietro Dandini Italian, 1646-1712

Head of Laocoon
Pietro Dandini Italian, 1646-1712

Head of Bearded Man in Three-Quarter Profile to Right
Attributed to Pietro Dandini Italian, 1646-1712

Massacre of the Innocents
Possibly after Pietro Dandini Italian, 1646-1712

Figure of a Male Saint
Attributed to Pietro Dandini (Italian, 1646-1712) or Vincenzo Dandini (Italian, 1607-1675)

Venus and Paris
Attributed to Pietro Dandini Italian, 1646-1712

Face of an Old Man with Eyes Closed
Pietro Dandini Italian, 1646-1712

Study
Attributed to Giuseppe Bartolomeo Chiari (Italian, 1654-1727) possibly Pietro Dandini (Italian, 1646-1712)

Female Bust
Attributed to Pietro Dandini Italian, 1646-1712

Hercules at the Crossroads
Niccolò Berrettoni (Italian, 1637-1682) possibly after Pietro Dandini (Italian, 1646-1712)

Head of Bearded Man in Profile to Left
Pietro Dandini Italian, 1646-1712

Female Head
Attributed to Pietro Dandini Italian, 1646-1712

Hercules and Antaeus
Attributed to Pietro Tacca (Italian, 1577–1640) After Giambologna (Flemish, active Italy, 1529–1608)

The Dance
Pietro Longhi (Italian, 1702–1785)

Lady at Her Toilette
Pietro Longhi (Italian, 1702–1785)

Hercules and Lichas
Attributed to Pietro Tacca (Italian, 1577–1640) After Giambologna (Flemish, active Italy, 1529–1608)

Bust of a Nobleman in Armor
Attributed to Pietro Tacca (Italian, 1577–1640)

Virgin and Child with Saints Jerome, Bernardino of Siena, and Angels
Sano di Pietro (Italian, 1405–1481)

Portrait of the Architect Giuseppe Valadier
Pietro Labruzzi (Italian, 1739–1805)

The Holy Trinity with Saint Michael Conquering the Dragon
Pietro da Cortona Italian, 1596-1669