Girolamo’s work is defined by its 16th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Virgin and Child Enthroned
Girolamo da Santacroce (Italian, born 1480-85, died 1556)
The Presentation in the Temple
Girolamo da Santacroce Italian, 1480/85–1556
Saint Luke Drawing the Virgin and Christ Child
Girolamo da Carpi (Girolamo Sellari; Italian, c. 1501–1556)
Ancient Sarcophagus Relief with the Labors of Hercules
Attributed to Girolamo Sellari, called Girolamo da Carpi Italian, 1501-1556
Ancient Relief with Hercules and the Mares of Diomedes (recto); Two Sketches: Draped Satyr and Winged Female Figure (verso)
After Girolamo Sellari, called Girolamo da Carpi Italian, 1501-1556
Blenheim Palace Sarcophagus: Bacchanale with Lion's Head
Girolamo Sellari, called Girolamo da Carpi Italian, 1501-1556
Temperance
Procession of Figures and Oxen
Allegory of Peace and War
Pompeo Girolamo Batoni (Italian, 1708–1787)
Standing Draped Female Figure Carrying Trumpet, Flowers
Circle of Girolamo Sellari, called Girolamo da Carpi Italian, 1501-1556
Bust of Woman
The Nativity and the Adoration of the Shepherds
Nicoletto da Modena Italian, active c. 1500–c. 1520
Time Unveiling Truth
The Death of St. Peter Martyr
Giovanni Girolamo Savoldo (Italian, active 1506–1548)
Don José Moñino y Redondo, Conde de Floridablanca
Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)
Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps
Girolamo Macchietti, after Italian, c. 1535-1592
Judith with the Head of Holofernes
Girolamo Mocetto (Italian, c.1470-after 1531) after Andrea Mantegna (Italian, 1431-1506)
The Calumny of Apelles
Girolamo Mocetto (Italian, c. 1470-after 1531) after Andrea Mantegna (Italian, 1431-1506)