Giovanni’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Christ before Pilate
Giovanni Antonio da Brescia Italian, c. 1460-1520

Judith with the Head of Holofernes
Giovanni Antonio da Brescia (Italian, c. 1460-c. 1520) after Andrea Mantegna (Italian, 1430/31-1506)

Four Children Playing, plate seven of Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523

Seven Cupids with Two Rams in a Landscape
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520

Two Peasants
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520

Architectural Details: Base, Capital, and Mask
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520

Venus
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520

The Holy Family with the Infant Saint John
Giovanni Antonio da Brescia (Italian, active c. 1490-after 1525) after Andrea Mantegna (Italian, 1431-1506)

Griffins and Two Cupids Crossing Halberds, plate five of Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523

Triton and Two Infant Satyrs, plate four from Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523

The Flagellation
Giovanni Antonio da Brescia Italian, active c. 1490-after 1525

Mary Magdalene
Moretto da Brescia (Alessandro Bonvicino; Italian, c. 1492/95–1554)

Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)

Acrobats Performing Before a Ruler (recto); Outdoor Scene with Group of Figures (verso)
Attributed to Giovanni Antonio de'Sacchis, called Il Pordenone Italian, c. 1483-1539

Conversion of St. Paul (recto); Man Seen from Back (verso)
After Giovanni Antonio da Pordenone Italian, c. 1483-1539

Saint Cecilia
Antonio da Trento (Italian, 1510-1550) after Parmigianino (Italian, 1503-1540)

Child's Head (Recto) Nude Male Figure (Verso)
After Antonio Allegri, called Correggio Italian, 1489-1534

Interior: A Sultana taking Coffee in the Harem
Giovanni Antonio Guardi (Italian, 1699–1760)

Frieze with Satyr, Nymph, and Putti
Circle of Giovanni Antonio de'Sacchis, called Il Pordenone Italian, c. 1483-1539

Foreshortened Angel
After Antonio Allegri, called Correggio Italian, 1489?-1534