Artist
G
Giovanni Antonio da Brescia
132130
Works
Painter
Style
Giovanni’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Selected works
132130 pieces
Christ before Pilate
Giovanni Antonio da Brescia Italian, c. 1460-1520
Judith with the Head of Holofernes
Giovanni Antonio da Brescia (Italian, c. 1460-c. 1520) after Andrea Mantegna (Italian, 1430/31-1506)
Four Children Playing, plate seven of Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523
Seven Cupids with Two Rams in a Landscape
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
Two Peasants
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
Architectural Details: Base, Capital, and Mask
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
Venus
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
The Holy Family with the Infant Saint John
Giovanni Antonio da Brescia (Italian, active c. 1490-after 1525) after Andrea Mantegna (Italian, 1431-1506)
Griffins and Two Cupids Crossing Halberds, plate five of Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523
Triton and Two Infant Satyrs, plate four from Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523
The Flagellation
Giovanni Antonio da Brescia Italian, active c. 1490-after 1525
Mary Magdalene
Moretto da Brescia (Alessandro Bonvicino; Italian, c. 1492/95–1554)
Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)
Acrobats Performing Before a Ruler (recto); Outdoor Scene with Group of Figures (verso)
Attributed to Giovanni Antonio de'Sacchis, called Il Pordenone Italian, c. 1483-1539
Conversion of St. Paul (recto); Man Seen from Back (verso)
After Giovanni Antonio da Pordenone Italian, c. 1483-1539
Saint Cecilia
Antonio da Trento (Italian, 1510-1550) after Parmigianino (Italian, 1503-1540)
Child's Head (Recto) Nude Male Figure (Verso)
After Antonio Allegri, called Correggio Italian, 1489-1534
Interior: A Sultana taking Coffee in the Harem
Giovanni Antonio Guardi (Italian, 1699–1760)
Frieze with Satyr, Nymph, and Putti
Circle of Giovanni Antonio de'Sacchis, called Il Pordenone Italian, c. 1483-1539
Foreshortened Angel
After Antonio Allegri, called Correggio Italian, 1489?-1534