John’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Stoke-by-Nayland
John Constable (English, 1776-1837)
Landscape (The Lock)
Attributed to John Constable (English, 1776–1837)
Landscape with Cottages
An Old Bridge at Salisbury
John Constable English, 1776-1837
Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)
A Stand of Elm Trees (recto); A Study of East Bergholt with the Church (verso)
Landscape with Cows
Death of Ananias
John Constable (English, 1776-1837) or after Raffaello Sanzio, called Raphael (Italian, 1483-1520)
Binfield Rectory and Church, Berkshire
Woman with Baby Fleeing Across Moors
Possibly John Constable English, 1776-1837
Blinding of Elymas
River Bank with Trees (recto); Herd of Cattle Beneath Trees, with Inset Sketch of Landscape (verso)
Possibly by John Constable (English, 1776-1837) or possibly Robert Leman (English, 1799-1863)
Old Sarum
David Lucas (English, 1802-1881) after John Constable (English, 1776-1837)
River Stour, Suffolk
Salisbury Cathedral from the Meadows: the Rainbow
Frontispiece, to Mr. Constable's English Landscape, East Bergholt, Suffolk
Glebe Farm
Spring
A Heath
The Cornfield