Master’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
St. George on Horseback, Killing the Dragon
Allaert Claesz Netherlandish, c. 1500-1555
The Naked Woman and the Dragon
Allegory with a Woman in Roman Dress on a Triumphal Chariot
Allaert Claesz Netherlandish, active c. 1520-55 After Marcantonio Raimondi Italian, 1470/82–1527/34
Still Life
Pieter Claesz (Dutch, 1596/97–1660)
Joseph Sold by his Brothers
Master of the Die (Italian, active c. 1530-1560) after Raffaello Sanzio, called Raphael (Italian, 1483-1520)
Landscape with Two Figures and Castle on Hill
Attributed to Allart van Everdingen Dutch, 1621-1675
Bishop at Mass in a Historiated Initial "P" from a Choirbook
French or possibly southern Netherlandish follower of Master Honoré (French, flourished 1288-1300)
Saint James the Greater
Master F.P. (Italian, c. 1530-1550) or after Girolamo Francesco Maria Mazzola, called Il Parmigianino (Italian, 1503-1540)
Saint Simon
Master F.V.B. Netherlandish, active 1475-1500
St. Ambrose and the Emperer Theodosius
Master IRs Italian, 16th century
Aristotle and Phyllis
Master M.Z. German, active 1500-1550
Sallet (Barbuta)
Master Z O (Italian) Milan
The Large Einsiedeln Madonna
Master E. S. German, active c. 1450-1467
The Martyrdom of St. Catherine
The Woman with an Owl
After Master M.Z. German, active 1500-1550
The Beheading of St. John the Baptist
The Warriors
Ornament with Women Fighting
The King's Sons Shooting Their Father's Corpse
Landscape in the Dark Manner
Allart van Everdingen Dutch, 1621-1675