Master’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

St. George on Horseback, Killing the Dragon
Allaert Claesz Netherlandish, c. 1500-1555

The Naked Woman and the Dragon
Allaert Claesz Netherlandish, c. 1500-1555

Allegory with a Woman in Roman Dress on a Triumphal Chariot
Allaert Claesz Netherlandish, active c. 1520-55 After Marcantonio Raimondi Italian, 1470/82–1527/34

Still Life
Pieter Claesz (Dutch, 1596/97–1660)

Joseph Sold by his Brothers
Master of the Die (Italian, active c. 1530-1560) after Raffaello Sanzio, called Raphael (Italian, 1483-1520)

Landscape with Two Figures and Castle on Hill
Attributed to Allart van Everdingen Dutch, 1621-1675

Bishop at Mass in a Historiated Initial "P" from a Choirbook
French or possibly southern Netherlandish follower of Master Honoré (French, flourished 1288-1300)

Saint James the Greater
Master F.P. (Italian, c. 1530-1550) or after Girolamo Francesco Maria Mazzola, called Il Parmigianino (Italian, 1503-1540)

Saint Simon
Master F.V.B. Netherlandish, active 1475-1500

St. Ambrose and the Emperer Theodosius
Master IRs Italian, 16th century

Aristotle and Phyllis
Master M.Z. German, active 1500-1550

Sallet (Barbuta)
Master Z O (Italian) Milan

The Large Einsiedeln Madonna
Master E. S. German, active c. 1450-1467

The Martyrdom of St. Catherine
Master M.Z. German, active 1500-1550

The Woman with an Owl
After Master M.Z. German, active 1500-1550

The Beheading of St. John the Baptist
Master M.Z. German, active 1500-1550

The Warriors
Master M.Z. German, active 1500-1550

Ornament with Women Fighting
Master E. S. German, active c. 1450-1467

Landscape in the Dark Manner
Allart van Everdingen Dutch, 1621-1675

The King's Sons Shooting Their Father's Corpse
Master M.Z. German, active 1500-1550