Carlo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)

Two Cloud-Borne Nude Female Figures (recto); Fragment of Reclining Figure (verso)
Attributed to Carlo Cignani Italian, 1628-1719

Seated Male Nude
Attributed to Carlo Cignani Italian, 1628-1719

Praying Magdalene
Carlo Cignani Italian, 1628-1719

Sleeping Christ Child Holding Cross
Attributed to Carlo Cignani Italian, 1628-1719

Female Head in Profile to Right
Attributed to Carlo Cignani Italian, 1628-1719

Saint John the Baptist with Lamb
After Carlo Cignani Italian, 1628-1719

Woman in Flight
Attributed to Carlo Cignani (Italian, 1628-1719) or Luca Giordano (Italian, 1632-1705) or Marco Antonio Franceschini (Italian, 1648-1729) or an another unknown Italian artist (17th century)

River Nymph
Style of Carlo Cignani Italian, 1628-1719

Putto Holding Staff
After Guido Reni (Italian, 1575-1642) or possibly Marcantonio Franceschini (Italian, 1648-1729) or Carlo Cignani (Italian, 1628-1719)

Virgin and Child with Cherubs
Giuseppe Maria Rolli (Italian, 1652-1727) after Carlo Cignani (Italian, 1628-1719)

Assumption of the Virgin
Francesco Bartolozzi (Italian, 1727-1815) or possibly after Carlo Cignani (Italian, 1628-1719)

Madonna and Child with Three Saints
Possibly after Pierre Subleyras (French, 1699-1749) or after Carlo Cignani (Italian, 1628-1719)

Head of Child
Carlo Maratti Italian, 1625-1713

The Crucifixion
Carlo Crivelli (Italian, about 1430–about 1495)

Horsemen of the Apocalypse
Carlo Carrà Italian, 1881-1966

Cobra Chair
Designed by Carlo Bugatti Italian, 1856-1940 Italy

Mourners in a Graveyard
Carlo Labruzzi Italian, 1748-1818

Prints from the Popol-Vuh
Carlos Mérida Mexican, born Guatemala, 1891-1984

Assumption of the Virgin
School of Carlo Maratti Italian, 1612-1666