Zhang’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Portrait of Du Jun
Attributed to Zhang Feng (Chinese, active c.1628–1662)
Magpies Descending to Withered Trees
Attributed to Zhang He China, active 1636-1674
The Dragon and Phoenix Peak of Mount Tianmu
Zhang Feng (張風 ) Chinese, fl. 1636-1674
AC10
Zhang Wei Chinese, 1952-2025
Landscape after the Ancient Masters
Zhang Hong (Arnold Chang) American, born 1954
Piled Up Strange Peaks
Qian Feng 錢灃 Chinese, 1740-1795
Mountain View in the Snow
Feng Xumin Chinese, born 1960
Mansion by the River 青櫺歸隱圖
Zhang Yin 張崟 Chinese, 1761-1829
Indoor Waves (Menli botao)
Zhang Yuanfan Chinese, born 1952
People Coming through the Wall (Chuan qiang er guo de ren)
Zhang Minjie Chinese, born 1959
Document on Hygiene No. 3
Zhang Peili Chinese, born 1957
Courtesan Likened to the Chinese Sage Zhang Guolao (Japanese: Chokaro)
Okumura Masanobu Japanese, 1686-1764
Guan Yu, Liu Bei, and Zhang Fei
Utagawa Kunisada I (Toyokuni III) Japanese, 1786-1864
Poem in Running Script
Zhang Ruitu (Chinese, 1570–1641)
Calligraphy in Archaic Script
Zhang Yuzao Chinese, 20th century
Moonstruck Ink 20167
Zhang Long Chinese, born 1961
Empty Series
Zhang Zhaohui Chinese, born 1965
The Scene No. 1
Zhang Peili (Chinese, born 1957) printed by Justin Andrews published by Tamarind Institute (American, founded 1960)
The Scene No. 2
Zhang Peili (Chinese, born 1957) printed Maria Erikson published by Tamarind Institute (American, founded 1960)