Qiu’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Peach Blossom Spring 桃花源圖
Artist unknown (17th century), spurious signature of Qiu Ying 仇英 (c. 1500-1552) Chinese
Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings)
Calligraphy attributed to Qiu Ying Chinese
Landscape
Attributed to Qiu Ying 仇英 (Chinese, 1494-1552)
The Gathering at the Orchid Pavilion
Artist unknown Spurious attribution to Qiu Ying (Chinese,1495-1551)
Going up the River at the Qingming Festival
Attributed to Qiu Ying (Chinese, c.1495-1551)
Artist unknown Chinese
Landscape in the Style of Ancient Masters: after Gao Kegong
Lan Ying (Chinese, 1585-c. 1664)
Landscape in the Style of Ancient Masters: After Gao Kegong
Lan Ying (Chinese, 1585-1664)
Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374)
Landscape in the Style of Ancient Masters: after Fang Congyi
Ancient Alley (Guxiang)
Ying Tianqi Chinese, born 1949
Landscape in the Style of Ancient Masters: after Wang Meng (c. 1308-1385)
Landscape in the Style of Ancient Masters: Songxuezhai Lan Ying
Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374), Cao Zhibo (1272-1355)
Landscape in the Style of Ancient Masters: Artist's commentary
Autumn Grace (Qiu de Fengcai)
Chao Mei Chinese, born 1931
Horizontal Stone with Large White Veins
China
Bao Shi Shan Luo Ying 宝石山 落英 1A
Shanchun Yan Chinese, born 1957