Alessandro’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Sketches of Two Putti, One Holding Hand of Dead Christ (recto); Torso and Legs of Kneeling Figure (verso)
Unknown artist Tuscan, 17th century

Seated Mother and Child
Attributed to Alessandro Casolani (Italian, 1552-1606) or possibly Circle of Giovanni Antonio Bilivert (Italian, 1576-1644)

Saint Cecilia
Circle of Alessandro Casolani Italian, 1552/53-1607

Bishop Saint Blessing a Mother and Child
Attributed to Alessandro Casolani Italian, 1552/53-1607

The Virgin and Child with Saint John the Baptist
Andrea Andreani (Italian, c. 1558/9–1629) after Alessandro Casolani (Italian, Italian, 1552–1606)

The Annunciation
Alessandro Vittoria (Italian, 1525–1608)

Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)

Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco (Italian, 1667–1749)

Crucifix
Alessandro Algardi (Italian, 1598–1654)

Portrait of a Musician
Alessandro Longhi (Italian, 1733–1813)

Arcadian Landscape with Figures
Alessandro Magnasco (Italian, 1667–1749)

Madonna and Child
Afted Alessandro Algardi (Italian, 1598–1654)

Alessandro de' Medici
Jacopo da Pontormo (Jacopo Carrucci; Italian, 1494-1557)

Picaresque Group with a Monkey and a Magpie
Alessandro Magnasco Italian, 1667-1749

One of the Set of the Four Evangelists: John
Alessandro Vittoria (Italian, 1525–1608)

One of the Set of the Four Evangelists: Matthew
Alessandro Vittoria (Italian, 1525–1608)

The Synagogue
Alessandro Magnasco (Italian, 1667-1749)

An Allegory of Bologna
Alessandro Algardi Italian, 1598-1654

One of the Set of the Four Evangelists: Luke
Alessandro Vittoria (Italian, 1525–1608)

One of the Set of the Four Evangelists: Mark
Alessandro Vittoria (Italian, 1525–1608)