Artist

Lodovico Carracci

1555–1619

132130

Works

Years lived

17th Century

Style

Lodovico’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Selected works

132130 pieces

The Vision of Saint Francis

Ludovico Carracci (Italian, 1555–1619)

Saint Benedict Moving the Stone which a Demon Had Made Immobile

after Ludovico Carracci Italian, 1555-1619

Kiss of Judas

Attributed to Ludovico Carracci Italian, 1555-1619

The Adoration of the Shepherds

Ludovico Carracci Italian, 1555-1619

Study for a Thesis Conclusion Presented to the Duke of Mantua

Ludovico Carracci Italian, 1555-1619

Study for Saint Jerome

After Ludovico Carracci Italian, 1555-1619

Seated Draped Woman in Profile

After Ludovico Carracci Italian, 1555-1619

Sketches of Four Putti (recto); Kneeling Ecclesiastic (verso)

Recto by Ludovico Carracci (Italian, 1555-1619) Verso possibly by Ludovico Carracci (Italian, 1555-1619) or possibly in the style of Guglielmo Caccia (Italian, c. 1568-c. 1625)

Two Monks

Lodovico Carracci Italian, 1555-1619

Two Women Chasing a Man

Lodovico Carracci (Italian, 1555-1619) or Domenico Fiasella (Italian, 1589-1669)

Putto

Lodovico Carracci Italian, 1555-1619

Virgin Annunciate

Lodovico Carracci Italian, 1555-1619

Decorative Design

Possibly Lodovico Carracci Italian, 1555-1619

Standing Monk Holding Host and Palen

Lodovico Carracci (Italian, 1555-1619) or Style of Simone Cantarini (Italian, 1612-1648) or Style of Bartolomeo Cesi (Italian, 1556-1629)

The Conversion of Saint Paul

Lodovico Carracci Italian, 1555–1619

Samson and the Lion (recto); Virgin Mary with Right Arm Extended (verso)

Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lodovico Carracci (Italian, 1555-1619) or possibly a follower of Cesare Dandini (Italian 1596-1657)

Seated Monk Holding Book

Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lodovico Carracci (Italian, 1555-1619)

Seated Woman in Profile

Possibly after Marcantonio Franceschini (Italian, 1648-1729) or Annibale Carracci (Italian, 1560-1609) or Lodovico Carracci (Italian, 1555-1619)

Madonna and Child Appearing to Male Saint and Angel

Attributed to the Style of Andrea Boscoli (Italian, 1550-1606) or Lodovico Carracci (Italian, 1555-1619) or Domenico Fiasella (Italian, 1589-1669)

Temptation of Saint Anthony

Possibly school of the Carracci Family (Italian, flourished 16th-17th century) or possibly Lodovico Carracci (Italian, 1555-1619) or possibly school of Giovanni Battista Trotti (Italian, 1555-1619)