Agostino’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Mercury and the Graces
Agostino Carracci (Italian, 1557-1602) after Jacopo Robusti, called Tintoretto (Italian, 1519-1594)
Portrait of the Artist's Son, Antonio Carracci
Agostino Carracci Italian, 1557-1602
Mars Driven Away from Peace and Abundance by Minerva
Agostino Carracci (Italian, 1557-1602) after Tintoretto (Jacopo Robusti; Italian, 1519-1594)
Portrait of Titian
Agostino Carracci (Italian, 1557-1602) after a self-portrait by Titian (Italian, c. 1488-1576)
Love Conquers All
Four Sketches: Standing Male Figure; Profile Bust of Bearded Man; Profile Head of Bearded Man; Landscape
Attributed to Agostino Carracci Italian, 1557-1602
A Headpiece in the Form of a Fan
Jacob and Rachel
Agostino Carracci (Italian, 1557-1602) after Denys Calvaert (Flemish, 1540-1619)
Rest on the Flight into Egypt
Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg
Adoration of the Shepherds
Hilly Landscape with Town in Distance
Circle of Agostino Carracci Italian, 1557-1602
Saint Jerome in Penitence
Saint Jerome
Unknown artist after a print by Agostino Carracci (Italian, 1557-1602) after a drawing by Francesco Vanni (Italian, 1563-1610)
After Agostino Carracci Italian, 1557-1602
Portrait Bust of a Woman with a Large Collar, from Perfect School to Learn How to Draw the Entire Human Body (English translation)
Luca Ciamberlano (Italian, c. 1580-c. 1641) after Agostino Carracci (Italian, 1557-1602)
Balaam's Ass