Giulio’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Woman Reclining in a Landscape
Giulio Campagnola Italian, c. 1482-1515/18

Saint John the Baptist
Giulio Campagnola Italian, c. 1482-1515/18

The Penance of Saint John Chrysostom
Attributed to Giulio Campagnola Italian, c. 1482-1515/18

Ganymede
Giulio Campagnola Italian, c. 1482-1515/18

Christ and the Samaritan Woman
Giulio Campagnola Italian, c. 1482-1515/18

Shepherds in a Landscape
Giulio Campagnola (Italian, c. 1482-1515/18) and Domenico Campagnola (Italian, c. 1500-1564)

The Triumph of Bacchus
Giulio Bonasone Italian, c. 1510–after 1576

Battle of the Naked Men
Domenico Campagnola Italian, c. 1500-1564

Daedalus and Icarus
Giulio Pippi, called Giulio Romano Italian, c. 1499-1546

Study for the Supper at Emmaus
Giulio Campi Italian, c. 1508-1573

Daedalus and Icarus
Giulio Pippi, called Giulio Romano Italian, c. 1499-1546

The Creation of Eve
Giulio Bonasone (Italian, c. 1510–after 1576) after Michelangelo Buonarroti (Italian, 1475-1564)

Twelve Children Dancing
Domenico Campagnola Italian, c. 1500-1564

Battle Scene with Horses and Men
Domenico Campagnola Italian, c. 1500-1564

The Trojan Horse Being Dragged into the City of Troy
Giulio Bonasone (Italian, c. 1510–after 1576) after Francesco Primaticcio (Italian, 1504-1570)

Virgin and Child with Angels
Giulio Cesare Procaccini (Italian, 1574–1625)

The Beheading of Saint Catherine
Domenico Campagnola Italian, c. 1500-1564

Donation of Constantine
Giulio Pippi, called Giulio Romano, after Italian, c. 1499-1546

Shepherd and Old Warrior
Domenico Campagnola Italian, c. 1500-1564

Menelaus Holding the Body of Patroclus
after Giulio Pippi, called Giulio Romano Italian, c. 1499-1546