Adriaen’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Four Peasants at Table
After Adriaen Brouwer (Flemish, 1605/06-1638) or possibly Frans Hals (Dutch, 1582/83-1666) or his school or Dirck Hals (Dutch, 1591-1656)
Foot Soldiers
Adriaen Brouwer Flemish, 1605/06-1638
Two Soldiers, Woman with Jug and Child
Adriaen Brouwer or possibly after Flemish, 1605/06-1638
Hearing (De Fiool Speelder)
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen Brouwer (Flemish, 1605/06-1638)
Peasants Drinking
Attributed to Isaac van Ostade (Dutch, 1621-1649) or Adriaen Brouwer (Flemish, 1605/06-1638)
Pastoral Landscape with Ruins
Adriaen van de Velde (Dutch, 1636–1672)
The Murder of Thomas Becket, page one, from a Book of Hours
Flemish (Bruges) Nicolas Brouwer (Flemish, active c. 1420-c. 1450)
Trompe-l'Oeil Still Life with a Flower Garland and a Curtain
Adriaen van der Spelt (Dutch, 1630–1673) Frans van Mieris (Dutch, 1635–1681)
Merrymakers in an Inn
Adriaen van Ostade (Dutch, 1610–1685)
The Murder of Thomas Becket, page two, from a Book of Hours
Adriaen Pauw, Lord of Heemstede
Cornelis Visscher (Dutch, c. 1629-1658) after Gerrit van Honthorst (Dutch, 1592-1656)
Diana and Her Nymphs with the Ox Hunt
With a scene after an engraving by Adriaen Collaert (c. 1560–1618) after Hans Bol (1534–1593), Ox Hunt Brussels
The Two Gossips
Adriaen van Ostade Dutch, 1610-1685
Virgin and Child
Workshop of Adriaen Isenbrant (Netherlandish, c. 1485–1551)
The Woman Spinning
The Barn
Circle of Adriaen Isenbrant (Netherlandish, c. 1485–1551)
Judgment of Paris
Adriaen Collaert, II Flemish, 1560-1618
Village Romance