Louis-Marin’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Bather
Louis-Marin Bonnet (French, 1736-1793) after François Boucher (French, 1703-1770)
Bust of a Woman
The Pleasures of Education
Louis-Marin Bonnet French, 1736-1793
The Stilts
Louis-Marin Bonnet (French, 1736-1793) after Jean Baptiste Huet (French, 1745-1811)
The Charmes of the Morning
Head of Flora
Woman's Head in Three-Quarter Profile to Right
Louis-Marin Bonnet (French, 1736-1793) after Guido Reni (Italian, 1575-1642)
Marie-Rosalie Vanloo
Louis-Marin Bonnet (French, 1736–1793) after Carle van Loo (French, 1705–1765)
Paternal Complacency
Louis-Marin Bonnet (French, 1736-1793) after Jacques Philippe Joseph de Saint-Quentin (French, 1738–1780)
Head of a Young Boy Turned Three-Quarters to the Right
Louis-Marin Bonnet (French, 1736-1793) after Jean-Baptiste-Marie Pierre (French, 1714–1789)
Le Mouton Chéri (Furnishing Fabric)
Engraved by Louis marin Bonnet (French, 1736-1793) after Francois Boucher (French, 1703-1770) and other artists Manufactured by Petitpierre Freres & Cie. (French, 1760-1791) France, Nantes
E21: French Boudoir of the Louis XV Period, 1740–60
Designed by Narcissa Niblack Thorne American, 1882–1966
E23: French Dining Room of the Louis XV/Louis XVI Periods, 1760–80
E24: French Salon of the Louis XVI Period, c. 1780
E18: French Salon of the Louis XIV Period, 1660–1700
E22: French Provincial Bedroom of the Louis XV Period, 18th Century
Buildings
John Marin American, 1870-1953
E19: French Dining Room of the Louis XIV Period, 1660–1700
E20: French Library of the Louis XV Period, c. 1720
The Bridge, New York