Abraham’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Study of a Nude Man
Abraham Bloemaert Dutch, 1566-1651
Study of the Head of a Bearded Man
Juno
The Three Fates
Circle of Abraham Bloemaert Flemish, 1566-1651
The Circumcision
Caritas Romana
Attributed to Abraham Bloemaert Dutch, 1566-1651
Saint Willibrord
Saint John the Evangelist
Attributed to Abraham Bloemaert (Dutch, 1566-1651) or Michiel Coxie, I (Flemish, 1499-1592) or Cornelis Cornelisz (Dutch, 1562-1638)
Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)
Attributed to Abraham Bloemaert (Dutch, 1566-1651) or Philipp Peter Roos (German, 1655/57-1706)
Landscape with Barnstable, Seated Woman, and Child
Attributed to the school of Abraham Bloemaert (Dutch, 1566-1651) or Esaias van de Velde, I (Dutch, c. 1590-1630)
A standing soldier, a standing woman, and a stooping drummer
Roman Soldiers Stoning a Serpent
Farm Under Thatched Roofs
Possibly after Abraham Bloemaert Dutch, 1566-1651
13 Sketches of Various Faces
Psyche Asleep
Unknown artist after Jacob Matham (Dutch, 1571-1631) after Abraham Bloemaert (Dutch, 1566-1651)
The Virgin and Child with St. Joseph
Attributed to Ludolph Büsinck (German, c. 1590-after 1643) after Abraham Bloemaert (Dutch, 1566–1651)
St Jerome
The Madonna and Child
Abraham Bloemaert Dutch, 1566–1651
The Golden Age
Orazio Brunetti (Italian, c. 1609–c. 1640) after Abraham Bloemaert (Dutch, 1566–1651)