Stefano’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Shipyard with Two Sailors
Stefano della Bella Italian, 1610-1664
Stag Hunt in Fan Shape
The Medici Vase, plate one from The Six Large Views of Rome and the Campagna
Equestrian Ballet in the Amphitheater of the Boboli Gardens
South Facade of the Villa and the Great Meadow, from Views of the Villa Pratolino
Plate Ten from Drawings of Several Movements by Soldiers
Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)
Attributed to Stefano della Bella Italian, 1610-1664
Sketches of Standing Woman, Seated Man, Goat, and Man Carrying Box on Back
After Stefano della Bella Italian, 1610-1664
Seated Gypsy Mother and Child, with Dog
Attributed to Stefano della Bella (Italian, 1610-1664) or after Jacques Callot (French, 1592-1635)
The Opening Assembly of the Equestrian Ballet
Polish Horseman
Female Dancer in a Costume for a Theatre Performance
Study for Satyr Family Walking (recto); Sketches of Five Decorative Vessels (verso)
A Tuscan Galley and Other Vessels Near the Shore
Changement d'une galère de l'ordre de Saint Étienne
Man on Horseback, Raising Right Arm
Two Studies: Female Head in Three-Quarter Profile; Female Bust Seen from the Back
Black Horseman
Soldier on Galloping Horse
After Stefano della Bella Italian, 1610–64
Francesco de Medici, Prince of Tuscany