Pompeo’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Allegory of Peace and War
Pompeo Girolamo Batoni (Italian, 1708–1787)
Time Unveiling Truth
Don José Moñino y Redondo, Conde de Floridablanca
Saint Andrew
Study for Saint Bartholomew and Drapery
Pompeo Girolamo Batoni Italian, 1708-1787
Triumph of Love (after antique bas-relief)
Attributed to Pompeo Girolamo Batoni Italian, 1708-1787
Academic Male Nude Leaning on Staff
Style of Pompeo Girolamo Batoni Italian, 1708-1787
Death of Mark Antony
Johann Georg Wille (German, 1715-1808) after Pompeo Girolamo Batoni (Italian, 1708-1787)
The Death of St. Peter Martyr
Giovanni Girolamo Savoldo (Italian, active 1506–1548)
Saint Luke Drawing the Virgin and Christ Child
Girolamo da Carpi (Girolamo Sellari; Italian, c. 1501–1556)
Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps
Girolamo Macchietti, after Italian, c. 1535-1592
Judith with the Head of Holofernes
Girolamo Mocetto (Italian, c.1470-after 1531) after Andrea Mantegna (Italian, 1431-1506)
The Calumny of Apelles
Girolamo Mocetto (Italian, c. 1470-after 1531) after Andrea Mantegna (Italian, 1431-1506)
Frieze with Tritons and Nymphs
Girolamo Mocetto Italian, c.1470-after 1531
Infantry Garniture of a Target (Shield) and Pointed Morion
North Italian; Milan
Aphrodite
Workshop of Girolamo Campagna (Italian, 1549–before 1625)
Battle between Cavalry and Foot Soldiers
After Girolamo Genga Italian, c. 1476-1551
Virgin and Child Enthroned
Girolamo da Santacroce (Italian, born 1480-85, died 1556)
The Meeting of Joachim and Anna at the Golden Gate
Girolamo Mazzola Bedoli Italian, c. 1510-c. 1569