Thomas’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Young Boy Seated, from the first issue of Specimens of Polyautography
Thomas Barker (English, 1769–1847) published by Philipp André (German, active London, 1800–1805) and James Heath (English, 1757–1834)
Seated Man Pointing Downwards (recto and verso)
Recto by Thomas Barter (English, 1769-1847) Verso by Thomas Jones Barker (English, 1815-1882)
Two Girls Playing on Combs (recto); Sketch of Seated Woman with Fragment of Another Figure (verso)
Thomas Barker (English, 1769-1847) or Thomas Jones Barker (English, 1815-1882)
Huckster Cart
Farmhouse in the Mountains with Cows in Foreground
Attributed to Thomas Barker English, 1769-1847
Child with Musical Instrument
Attributed to Thomas Barker (English, 1769-1847) or Thomas Jones Barker (English, 1815-1882)
Pierrette
After Thomas Barker English, 1769-1847
Scene near Bathford
E. Parker (English) after Thomas Barker (English, 1769-1847)
Tilemakers
Thomas Barker (English, 1769-1847) published by G. J. Vollweiler (German, c. 1801-1900)
Two School Boys
Thomas Jones Barker (English, 1815-1882) or Thomas Barker (English, 1769-1847)
Large Tree with Lake and Mountains in Background
Young Woman Carrying Baby
Seated Boy, Half-Length
Seated Boy, Looking Sideways
Boy Turning Sideways, Half-Length
Young Woman Holding Baby
Bust of a Woman (recto); Draped Figure, Three-Quarter Length (verso)
Boy Writing or Sketching
Stoke, near Bath
Joseph Barker English, 1782-1809
Distant View of Niagara Falls
Thomas Cole (American, born England, 1801–1848)