Lazzaro’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Women Looking at Religious Tablets
after Lazzaro Baldi Italian, c. 1624-1703
Study for the Annunciation
Lazzaro Baldi Italian, 1622-1703
Presentation in the Temple
Lucio Bononi (Italian, active c. 1650-1670) after Lazzaro Baldi (Italian, c. 1624-1703)
Tobias and Sarah Praying on Their Wedding Night
Lazzaro Tavarone Italian, 1556-1641
Seated Female Figure (Saint Scholastica?) Holding a Dove
Design for Corner of a Ceiling Decoration
Crew Abandoning Ship (recto) Sketches of Corinthian Columns (verso)
Christ Appearing to His Mother
Attributed to Lazzaro Tavarone Italian, 1556-1641
Study for Juno (or Diana) with a Peacock
Luca Cambiaso Italian, 1527-1585 or Lazzaro Tavarone Italian, 1556-1641 or Bernardo Castello Italian,1557-1629
Two Women on Clouds, Pulling a Load
Circle of Bernardo Castello (Italian, Lazzaro Tavarone (Italian, 1556-1641)
Design for a Ceiling Decoration
Anna Held and Baldy
Henri de Toulouse-Lautrec French, 1864-1901
Zeus and Psyche
Lazzo Tavarone (Italian, 1556-1641) or Andrea Lilio (Italian, 1555-1642)
Woman with Child, and Pheme
Armenian Monastery on the Island of San Lazzaro, Venice
John Mahtesian American, 1915–2002
Virgin in Glory with Saints including St. John at their Feet
After Lazzaro Tavarone Italian, 1556-1641
Kneeling Female Saint in Profile
Attributed to Lazzaro Tavarone (talian, 1556-1641) or Andrea Lilio (talian, 1555-1642) or Circle of Francesco Vanni (Italian, 1563-1610)
Standing Putto Holding Tablet
Attributed to Lazzaro Tavarone (Italian, 1556-1641) or Style of Domenico Piola (Italian, 1627-1793) or Lodovico Carracci (Italian, 1555-1619)
Seated Figure with Crown, Holding Sceptre and Book, with Host Below