Lazzaro’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Women Looking at Religious Tablets
after Lazzaro Baldi Italian, c. 1624-1703
Study for the Annunciation
Lazzaro Baldi Italian, 1622-1703
Presentation in the Temple
Lucio Bononi (Italian, active c. 1650-1670) after Lazzaro Baldi (Italian, c. 1624-1703)
Tobias and Sarah Praying on Their Wedding Night
Lazzaro Tavarone Italian, 1556-1641
Seated Female Figure (Saint Scholastica?) Holding a Dove
Design for Corner of a Ceiling Decoration
Crew Abandoning Ship (recto) Sketches of Corinthian Columns (verso)
Christ Appearing to His Mother
Attributed to Lazzaro Tavarone Italian, 1556-1641
Study for Juno (or Diana) with a Peacock
Luca Cambiaso Italian, 1527-1585 or Lazzaro Tavarone Italian, 1556-1641 or Bernardo Castello Italian,1557-1629
Two Women on Clouds, Pulling a Load
Circle of Bernardo Castello (Italian, Lazzaro Tavarone (Italian, 1556-1641)
Design for a Ceiling Decoration
Anna Held and Baldy
Henri de Toulouse-Lautrec French, 1864-1901
Zeus and Psyche
Lazzo Tavarone (Italian, 1556-1641) or Andrea Lilio (Italian, 1555-1642)
Woman with Child, and Pheme
Armenian Monastery on the Island of San Lazzaro, Venice
John Mahtesian American, 1915–2002
Kneeling Female Saint in Profile
Attributed to Lazzaro Tavarone (talian, 1556-1641) or Andrea Lilio (talian, 1555-1642) or Circle of Francesco Vanni (Italian, 1563-1610)
Standing Putto Holding Tablet
Attributed to Lazzaro Tavarone (Italian, 1556-1641) or Style of Domenico Piola (Italian, 1627-1793) or Lodovico Carracci (Italian, 1555-1619)
Virgin in Glory with Saints including St. John at their Feet
After Lazzaro Tavarone Italian, 1556-1641
Seated Figure with Crown, Holding Sceptre and Book, with Host Below