Pierre’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Alexander at the Tomb of Cyrus the Great
Pierre-Henri de Valenciennes (French, 1750–1819)
Mount Athos Carved as a Monument to Alexander the Great
At the Moulin Rouge
Henri de Toulouse-Lautrec (French, 1864–1901)
Pierre de Montarsis
Gérard Edelinck (French, born Flanders, 1640-1707) after Antoine Coypel (French, 1661-1722)
Old Man and Young Girl
Henri de Toulouse-Lautrec French, 1864-1901
Equestrienne (At the Cirque Fernando)
Moulin de la Galette
Ballet Dancers
At the Concert
The Little Errand Girl
Taking a Bow, plate eight from Yvette Guilbert
Henri de Toulouse-Lautrec (French, 1864-1901) printed by Westminster Press (English, 20th century) published by the Ernest Brown & Phillips (English, 20th century)
The Sacred Grove, Beloved of the Arts and the Muses
Pierre Puvis de Chavannes (French, 1824–1898)
Le Tocsin
Portrait of Jeanne Wenz
The Photographer Sescau
Elsa, called The Viennese
The Jockey
The Horse Fancier
The Englishman at the Moulin Rouge
Debauchery (second plate)