Pierre’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Alexander at the Tomb of Cyrus the Great
Pierre-Henri de Valenciennes (French, 1750–1819)

Mount Athos Carved as a Monument to Alexander the Great
Pierre-Henri de Valenciennes (French, 1750–1819)

At the Moulin Rouge
Henri de Toulouse-Lautrec (French, 1864–1901)

Pierre de Montarsis
Gérard Edelinck (French, born Flanders, 1640-1707) after Antoine Coypel (French, 1661-1722)

Old Man and Young Girl
Henri de Toulouse-Lautrec French, 1864-1901

Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec (French, 1864–1901)

Moulin de la Galette
Henri de Toulouse-Lautrec (French, 1864–1901)

Ballet Dancers
Henri de Toulouse-Lautrec (French, 1864–1901)

At the Concert
Henri de Toulouse-Lautrec French, 1864-1901

The Little Errand Girl
Henri de Toulouse-Lautrec French, 1864-1901

Taking a Bow, plate eight from Yvette Guilbert
Henri de Toulouse-Lautrec (French, 1864-1901) printed by Westminster Press (English, 20th century) published by the Ernest Brown & Phillips (English, 20th century)

The Sacred Grove, Beloved of the Arts and the Muses
Pierre Puvis de Chavannes (French, 1824–1898)

Le Tocsin
Henri de Toulouse-Lautrec French, 1864-1901

Portrait of Jeanne Wenz
Henri de Toulouse-Lautrec (French, 1864–1901)

The Photographer Sescau
Henri de Toulouse-Lautrec French, 1864-1901

Elsa, called The Viennese
Henri de Toulouse-Lautrec French, 1864-1901

The Jockey
Henri de Toulouse-Lautrec French, 1864-1901

The Horse Fancier
Henri de Toulouse-Lautrec French, 1864-1901

The Englishman at the Moulin Rouge
Henri de Toulouse-Lautrec French, 1864-1901

Debauchery (second plate)
Henri de Toulouse-Lautrec French, 1864-1901