Giles’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Bureau Secretary
Attributed to Giles Grendey (born England, 1693–1780) London
Side Chair
Giles Grendey (English, 1693–1780) London, England
Chair
Shore Line
Howard Giles American, 1876-1955
The Boston Clipper, Lightning
P. Giles American, 19th century
St. Giles-in-the-Fields
James McNeill Whistler American, 1834-1903
The Baby in Saint-Giles, from Masques et Visages
Paul Gavarni French, 1804-1866
Rocky Promontory with Ruins and Cascades (recto); Sketch of Cliff with Buildings (verso)
Attributed to Giles Edme Petit French, 1694-1760
Panel (Dress or Furnishing Fabric)
Possibly designed by Wilhelm Jonasch (Austrian, 1892-1961) Produced by the Wiener Werkstätte (Vienna, active 1903–1932) Vienna, Austria
Untitled
Wolfgang Gäfgen German, born 1936
The Adoration of the Shepherds
Ludovico Carracci Italian, 1555-1619
Giles Dolt
Attributed to George Samuel English, active 1785-1823
Portrait of a Man with White Hair in a Pigtail
Giles Louis Chrétien French, 1754-1811
Farmer Giles & His Wife Shewing off their Daughter Betty to their Neighbors, on her Return from School
James Gillray (English, 1756-1815) published by Hannah Humphrey (English, c. 1745-1818)
Panel (design 9372-6043)
Designed by Maria Kipp; American (b. Germany), 1900-1988 United States, California, Los Angeles
Panel
Designed by Maria Kipp (1900-1988) United States, California, Los Angeles
Fragment
Probably designed by circle of Josef Hoffmann (Austrian, 1870-1956) Produced by Johann Backhausen & Söhne (Austrian, 1849-2012) Vienna, Austria
Probably designed by circle of Josef Hoffmann (Austrian, 1870-1956) Possibly manufactured by Johann Backhausen & Söhne (Austrian, 1849-2012) Vienna, Austria