Ottaviano’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Fire in the Borgo (recto); Slight Sketch of the Fire in the Borgo (verso)
Ottaviano Dandini (Italian, c. 1706-1750) after Raffaello Sanzio, called Raphael (Italian, 1483-1520)
Study for Head of Laocoon
Attributed to Andrea Appiani, the elder (Italian, 1754-1817) or Ottaviano Dandini (Italian, 1681-1750)
Two Bearded Heads
Attributed to Pietro Dandini Italian, 1646-1712
Ancient Portrait Bust of Vespasian
Vincenzo Dandini Italian, 1607-1675
Head of Venus de Medici
Head of Bearded Man in Three-Quarter Profile to Right
Head of Laocoon
Pietro Dandini Italian, 1646-1712
Massacre of the Innocents
Possibly after Pietro Dandini Italian, 1646-1712
Figure of a Male Saint
Attributed to Pietro Dandini (Italian, 1646-1712) or Vincenzo Dandini (Italian, 1607-1675)
Venus and Paris
Face of an Old Man with Eyes Closed
Copy of Scene from the Life of Sulla fresco, in the Hall of Saturn, Pitti Palace
possibly Cesare Dandini (Italian, 1596-1657) or Vincenzo Dandini (Italian, 1607-1675) after Ciro Ferri (Italian, 1634-1689)
Study
Attributed to Giuseppe Bartolomeo Chiari (Italian, 1654-1727) possibly Pietro Dandini (Italian, 1646-1712)
Female Bust
Resurrected Christ Appearing to His Mother
Attributed to Ottavio Vannini (Italian, 1585-1643) or Cesare Dandini (Italian, c. 1595-1658) or Camillo Procaccini (Italian, c. 1551-1629)
Hercules at the Crossroads
Niccolò Berrettoni (Italian, 1637-1682) possibly after Pietro Dandini (Italian, 1646-1712)
Head of Bearded Man in Profile to Left
Samson and the Lion (recto); Virgin Mary with Right Arm Extended (verso)
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lodovico Carracci (Italian, 1555-1619) or possibly a follower of Cesare Dandini (Italian 1596-1657)
Female Head
Figure with Arms Tied Behind His Back
Attributed to Vincenzo Dandini (Italian, 1607-1675) or Filippo Napoletano (Italian c. 1578-1640)