Gonzalo’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Venetian scene, San Trovato
Gonzalo Bilbao y Martinez (Spanish, 1860–1938)
Egypt
R. M. Junghaendel (German, active 19th century) and C. G. Rawlinson (German, 19th Century) published by Cosmos Art Publishing Company (German, 19th century)
Plate with Four-Part Geometric Pattern
Maria Montoya Martinez (Pueblo de San Ildefonso and American, 1887–1980) Julian Martinez (Pueblo de San Ildefonso and American, 1879–1943) Pueblo of San Ildefonso, New Mexico
Two Sisters, Valencia
Joaquín Sorolla y Bastida (Spanish, 1863-1923)
Rocks at the Lighthouse, Biarritz
Boy on a Ram
Francisco José de Goya y Lucientes (Spanish, 1746–1828)
Canal in Venice
Martin Rico y Ortega (Spanish, 1833–1908)
Friar Pedro Shoots El Maragato as His Horse Runs Off
Cavalier
Mariano Fortuny y Marsal (Spanish, 1838–1874)
African Chief
Mariano Fortuny y Marsal (Spanish, 1838-1874)
Cigar Making in Seville
Ricard Canals y Llambí (Spanish, 1876–1931)
Prototype of Social Housing Unit Drawing
Tatiana Bilbao Estudio (Mexican, founded 2004) Tatiana Bilbao (Mexican, born 1972)
Plate with Feather Motif
Maria Montoya Martinez (Pueblo de San Ildefonso, 1887–1980) Santana Roybal Martinez (San Ildefonso, 1909–2002) San Ildefonso Pueblo, New Mexico
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F
Francisco José de Goya y Lucientes Spanish, 1746-1828
Manuel Godoy
Agustin Esteve y Marqués (Spanish, 1753–c. 1820)
Portrait of General José Manuel Romero
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos
Winter Scene
El Maragato Threatens Friar Pedro de Zaldivia with His Gun
Friar Pedro Binds El Maragato with a Rope