Charles’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Weeping Magdalen, No. 5 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150
Charles I. Berg American, 1856–1926
Odalesque, No. 17 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150
Coquette, No. 13 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150
Book Cover for Book of Psalms, Prayers, and Hymns
England
Elevator Grille from the Chicago Stock Exchange, Chicago, Illinois
Louis H. Sullivan American, 1856-1924
Landscape in the Style of Ancient Masters: Artist's commentary
Lan Ying (Chinese, 1585-c. 1664)
Elements of Composite Armor
German or Austrian
It Rocks but is Not Sunk
Charles Meryon French, 1821-1868
Slip of the Tongue
Nairy Baghramian German, born Iran, 1971
Still Life: Apples and Green Glass
Charles Demuth American, 1883-1935
Hinoki
Charles Ray American, born 1953
Landscape
Jean Charles Cazin (French, 1841–1901)
The Shower
Charles François Daubigny French, 1817-1878
L'Auberge du soleil levant
Charles Joseph Beauverie French, 1839-1923
...And the Home of the Brave
Charles Demuth (American, 1883–1935)
Harvest Talk
Charles White American, 1918-1979
Water Pitcher
Design and fabrication attributed to Peter Berg (American, born Norway, 1885–1959) Kalo Shop (American, 1900–70) Park Ridge, Illinois
Handle Spout Vessel Depicting Anal Sex
Moche North coast, Peru
The Artist Looks at Nature
Charles Sheeler (American, 1883–1965)
Fragment (From a Sampler)
Charlotte M. Berge (Swedish, active c. 1821) Sweden, Fort Carlsberg