Artist

Michel-Honoré Bounieu

1740–1814

132130

Works

Years lived

Painter

Style

Michel-Honoré’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Selected works

132130 pieces

Amusement du Sultan (The Amusement of the Sultan)

Michel-Honoré Bounieu French, 1740-1814

“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”

Honoré Victorin Daumier French, 1808-1879

The Storm

Georges Michel (French, 1763-1843)

Bishop at Mass in a Historiated Initial "P" from a Choirbook

French or possibly southern Netherlandish follower of Master Honoré (French, flourished 1288-1300)

The Church of Santa Maria della Salute, Venice

Michele Marieschi (Italian, 1710–1743)

The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Image of Death (Imago Mortis), from the Nuremberg Chronicle

Michael Wolgemut and Workshop German, 1434-1519

Portrait of a Lady

Michele Tosini (Michele di Ridolfo; Italian, 1503–1577)

Morion for the Bodyguard of the Elector of Saxony

Probably Hans Michel (German, 1539-1599) Nuremberg

Christ Presented to the People, page 73 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Scourging of Christ (verso), and The Israelites Enslaved in Egypt (recto), from Schatzbehalter (Treasury)

Michel Wolgemut (German, 1434/37–1519) printed and published by Anton Koberger (German, c. 1440/45–1513) original text by Stephan Fridolin (German, c. 1430–1498) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)

Propeller-Wind

Robert Michel German, 1897-1983

Bust of a Satyr

Clodion (Claude Michel; French, 1738–1814)

The Print Collector

Honoré Victorin Daumier (French, 1808–1879)

Nadar Elevating Photography to the Heights of Art, plate 367 from Souvenirs d’artistes

Honoré Victorin Daumier French, 1808-1879

Vase

Clodion (Claude Michel; French, 1738–1814)

Mez (Mittel-Europaische-Zeit: Weimar)

Robert Michel German, 1897-1983