Edme’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

A Saint Clothing the Poor Among the Ruins of an Earthquake
Attributed to Edme Bouchardon French, 1698-1762

Saint Francis Holding a Crucifix
Attributed to Edme Bouchardon (French, 1698-1762) after Pierre Legros II (French, 1666-1719)

Justice
Attributed to Edme Bouchardon (French, 1698-1762) or after Carlo Maratti (Italian, 1625-1713) or Francesco Albani (Italian, 1578-1660) or Giuseppe Bartolomeo Chiari (Italian, 1654-1727

Woman Looking Upwards
Style of Edme Bouchardon (French, 1698-1762) or Giuseppe Cesari (Italian, 1568-1640)

Nude Child Seated Under Trees
Style of Edme Bouchardon French, 1698-1762

Page 1 (Title Page) and Page 28, from Premier Livre de Figures d’Académies Gravées en Partie par les Professeurs de l’Académie Royale
Gabriel Huquier (French, 1695-1772) after Edme Bouchardon (French, 1698-1762) published by Charles-Antoine Jombert (French, 1712-1784)

Page 41, from Second Livre de Figures d'Academies Gravées en Partie par les Professeurs de l’Académie Royale
Pierre Soubeyran (Swiss, 1709-1775) after Edme Bouchardon (French, 1698-1762) published by Charles-Antoine Jombert (French, 1712-1784) (French, 18th century)

Page 30 and Page 31, from Premier Livre de Figures d'Academies Gravées en Partie par les Professeurs de l’Académie Royale
Gabriel Huquier (French, 1695-1772); after Edme Bouchardon (French, 1698-1762) Pierre Aveline (French, 1702-1760); after Charles-Joseph Natoire (French, 1700-1777) printed by Gabriel Huquier (French, 1695-1772) published by Charles-Antoine Jombert (French, 1712-1784) (French, 18th century)

Page 42 and Page 43, from Second Livre de Figures d’Académies Gravées en Partie par les Professeurs de l’Académie Royale
Gabriel Huquier (French, 1695-1772); after Charles-Joseph Natoire (French, 1700-1777) Pierre Aveline (French, 1702-1760); after Edme Bouchardon (French, 1698-1762) printed by Gabriel Huquier (French, 1695-1772) published by Charles-Antoine Jombert (French, 1712-1784)

Term
After Annibale Carracci (Italian, 1560-1609) And in the Style of Edme Bouchardon, French, 1698-1762

Christ on the Cross
Possibly Charles Andre Van Loo (French, 1705-1765) style of Edme Bouchardon (French, 1698-1765)

Design: Legs and Feet, from Encyclopédie
Benoît-Louis Prévost (French, c. 1735-1809) after Bouchardon (probably Edme), (French, active 18th century) published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775)

Rocky Promontory with Ruins and Cascades (recto); Sketch of Cliff with Buildings (verso)
Attributed to Giles Edme Petit French, 1694-1760

Child
Jacques Philippe Bouchardon (French, 1711–1753)

Portrait of Countess de Crovet
Jean Edme Pascal Martin Delacluze (French, 1778–c. 1858)

Plate
Sèvres Porcelain Manufactory French, founded 1740 Painted by Edme François Bouillat père French,1739/40–1810

Françoise de Grasigny
Jean Baptiste André Gautier d'Agoty (French, 1740-1786) possibly after Edme Garand (French, active 1752) or possibly after Jean-Baptiste Garand (French, died c. 1780)

Self-Portrait
Walter Shirlaw (American, 1838–1909)

Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)

Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)