Yamamoto’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Young Woman Dressing
Yamamoto Yoshinobu Japanese, active c. 1745-58
Dreaming of the Heron Maiden
Komai Yoshinobu Japanese, active c. 1764-81
Courtesan and Attendants Parading under Cherry Tree
The Courtesan Matsukaze of Ogiya in Edo-machi Itchome (Edo-machi Itchome, Ogiya uchi Matsukaze)
Heart in Motion - Shadow of Happiness
Kansuke Yamamoto Japanese, 1914-1987
Bathing
Yamamoto Kanae Japanese, 1882-1946
Fisherman (Memorial edition printed by Hashimoto Okiie)
Yamamoto Kanae Japanese, 1882-1946 Printer: Hashimoto Okiie Japanese, 1899-1993
Woman on Deck
Chinese Woman, Hong Kong
The Bathers
Giving Birth to a Joke
Carrying a Lantern Decorated with the Flowers of the Four Seasons (Hirakawa-cho Yamamoto-cho shiki no hana mando) from the series "The Festival of the Sanno Shrine (Sanno go-sairei)"
Torii Kiyonaga Japanese, 1752-1815
The Actors Yamamoto Iwanojo as the courtesan Katsuragi and Sanogawa Ichimatsu I as Fuwa Bansaku in the play "Monzukushi Nagoya Soga," performed at the Ichimura Theater in the first month, 1748
Torii Kiyonobu II Japanese, active c. 1725-61
Actors Representing the Feat of Asahina Breaking the Armer of Soga no Goro (Hirakawa-cho Yamamoto-cho kusazuribiki odori yatai) from the series The Festival of the Sanno Shrine (Sanno go-sairei)
Attributed to Torii Kiyonaga Japanese, 1752-1815
Onakatomi no Yoshinobu Ason, from the series "One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi)"
Utagawa Kuniyoshi Japanese, 1797-1861
View of Moscow
A Street in Moscow