Michel’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Image of Death (Imago Mortis), from the Nuremberg Chronicle
Michael Wolgemut and Workshop German, 1434-1519

Christ Presented to the People, page 73 from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Scourging of Christ (verso), and The Israelites Enslaved in Egypt (recto), from Schatzbehalter (Treasury)
Michel Wolgemut (German, 1434/37–1519) printed and published by Anton Koberger (German, c. 1440/45–1513) original text by Stephan Fridolin (German, c. 1430–1498) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)

Christ on Mount of Olives, page 52 from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Christ Bearing the Cross, page 81, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Moses Found by Pharaoh's Daughter (recto) and Judas's Betrayal (verso), pages 53 and 54, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Pharoah and His Host Perishing in the Red Sea (verso); The Freeing of King Joachim of Jerusalem (recto), pages 56 and 55, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Scourging of Christ (verso); The Israelites Enslaved in Egypt (recto), pages 70 and 69, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Christ Crowned with Thorns, page 72 from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Christ Nailed to the Cross, page 85 from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Martyrdom of Saint Simon of Trent from Schedel Weltchronik (Schedel’s World History), Plate 23 from Woodcuts from Books of the 15th Century
Michel Wolgemut (German, 1434/37–1519) and Wilhelm Pleydenwurff (German, c. 1460–1494) printed and published by Anton Koberger (German, c. 1440/45–1513) original text by Hartmann Schedel (German, 1440–1514) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)

Geneva from Schedel Weltchronik (Schedel’s World History), Plate 22 from Woodcuts from Books of the 15th Century
Michel Wolgemut (German, 1434/37–1519) and Wilhelm Pleydenwurff (German, c. 1460–1494) printed and published by Anton Koberger (German, c. 1440/45–1513) original text by Hartmann Schedel (German, 1440–1514) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)

Nuremberg Chronicle
Michael Wolgemut and Workshop German, 1434-1519

The Storm
Georges Michel (French, 1763-1843)

The Church of Santa Maria della Salute, Venice
Michele Marieschi (Italian, 1710–1743)

Portrait of a Lady
Michele Tosini (Michele di Ridolfo; Italian, 1503–1577)