Hieronymous’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Sudarium Displayed by Two Angels
Jerome Wierix (Flemish, 1553-1619) after Albrecht Dürer (German, 1471-1528)
St Michael Triumphing Over the Dragon
Jerome Wierix (Flemish, 1553-1619) after Martin de Vos (Flemish, 1532-1603)
Saint Jerome in His Study
Virgin and Child
Jerome Wierix Flemish, 1553-1619
Ignatius of Loyola kneeling before Christ, the Virgin and St Peter
Jan Wierix Flemish, 1549-c. 1620
The Last Judgment
Phillip II, King of Spain
Hieronymus Wierix Flemish, 1553-1619
Catherine-Henriette de Verneuil, Marquise de Balzac Dentraigues
The Lamentation
Hieronymus Wierix (Flemish, 1553–1619) after Hugo van der Goes (Netherlandish, c. 1440–1482)
Allegory of Love, Time, and Death
Hieronymus Wierix Flemish, 1553–1619
Vanitas
Title page, from The Seven Vices
Hieronymus Wierix (Flemish, 1553-1619) after and published by Philips Galle (Flemish, 1537-1612)
Superbia, plate 1 from The Seven Vices
Avaritia, plate 2 from The Seven Vices
Luxuria, plate 3 from The Seven Vices
Invidia, plate 4 from The Seven Vices
Gula, plate 5 from The Seven Vices
Ira, plate 6 from The Seven Vices
Acedia, plate 7 from The Seven Vices
Title page, from The Seven Virtues
Hieronymus Wierix (Flemish, 1553-1619) after Jan Van Der Straet (Flemish, 1523-1605) published by Philips Galle (Flemish, 1537-1612)