Hieronymous’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Sudarium Displayed by Two Angels
Jerome Wierix (Flemish, 1553-1619) after Albrecht Dürer (German, 1471-1528)
St Michael Triumphing Over the Dragon
Jerome Wierix (Flemish, 1553-1619) after Martin de Vos (Flemish, 1532-1603)
Saint Jerome in His Study
Virgin and Child
Jerome Wierix Flemish, 1553-1619
Ignatius of Loyola kneeling before Christ, the Virgin and St Peter
Jan Wierix Flemish, 1549-c. 1620
The Last Judgment
Phillip II, King of Spain
Hieronymus Wierix Flemish, 1553-1619
Catherine-Henriette de Verneuil, Marquise de Balzac Dentraigues
Allegory of Love, Time, and Death
Hieronymus Wierix Flemish, 1553–1619
Vanitas
Title page, from The Seven Vices
Hieronymus Wierix (Flemish, 1553-1619) after and published by Philips Galle (Flemish, 1537-1612)
Superbia, plate 1 from The Seven Vices
Avaritia, plate 2 from The Seven Vices
Luxuria, plate 3 from The Seven Vices
Invidia, plate 4 from The Seven Vices
Gula, plate 5 from The Seven Vices
Ira, plate 6 from The Seven Vices
Acedia, plate 7 from The Seven Vices
Title page, from The Seven Virtues
Hieronymus Wierix (Flemish, 1553-1619) after Jan Van Der Straet (Flemish, 1523-1605) published by Philips Galle (Flemish, 1537-1612)
Fides, plate 1 from The Seven Virtues