Domenico’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Apollo and Marsyas
Domenico Antonio Vaccaro (Italian, 1678–1745)
Prometheus and Mercury
Landscape with Satyr, Goats and Other Figures
Attributed to Abraham Genoels II (Flemish, 1640-1723) or Domenico Antonio Vaccaro (Italian, 1678-1745) or the style of Carlo Antonio Tavella (Italian, 1668-1738)
Resting
Antonio Mancini (Italian, 1852–1930)
The Lamentation
Andrea Vaccaro (Italian, 1604-1670)
Virgin of the Immaculate Conception
Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)
Venus and Mars with Cupid and the Three Graces in a Landscape
Domenico Tintoretto (Italian, 1560–1635)
Bust of Paris
Antonio Canova (Italian, 1757–1822)
The Assumption of the Virgin
El Greco (Doménikos Theotokópoulos; Greek, active in Spain, 1541–1614)
Domenico da Gambassi
Andrea del Sarto (Italian, 1486–1530)
Male Nude Seen from the Back
Possibly Domenico Maggiotto Italian, 1713-1794
Head of Medusa
Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)
Kitchen Still Life
Attributed to Paolo Antonio Barbieri (Italian, 1603–1649)
Battle of the Naked Men
Domenico Campagnola Italian, c. 1500-1564
Feast of San Domenico, Cocullo
Chim (David Seymour) American, born Poland, 1911–1956
Jupiter and Callisto
Domenico Vito (Italian, active 1576-1586) after Pierre Milan (French, died 1557) after Francesco Primaticcio (Italian, 1504-1570)
Deposition
Antonio d'Este (Italian, 1754–1837) After Antonio Canova (Italian, 1757–1822)
Antonio Pollaiuolo Italian, 1433-1498
Saint Peter Martyr Exorcizing a Woman Possessed by a Devil
Antonio Vivarini (Italian, about 1415–1476/84)