Thomas’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Allegory of England, Scotland, and Ireland
Attributed to Thomas Stothard English, 1755-1834
Athena, or Britannia identified as Athena
Three Muses (recto); Study of Knight and Monk for an Illustration in a Gothic Novel (verso)
Sketches for Samuel Rogers' Poetry
Thomas Stothard English, 1755-1834
Sketches for Tristram Shandy (recto); Sketches of Medallion with Seated Allegorical Figure (verso)
Three Putti at Play
Attributed to Thomas Stothard (English, 1755-1834) or possibly Samuel De Wilde (English, 1748-1832)
Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book
Two Allegorical Female Figures Clasping Hands before Book
Funerary Monument
Possibly Thomas Stothard (English, 1755-1834) or Richard Cosway, R.A. (English, 1742-1821) or Edward Francis Burney (English, 1760-1848) or Charles Alfred Stothard (English, 1786-1821)
Study for a plate from The Task
Study for a plate from Telemachus
Two Female Figures with a Bust
Frieze Design in Classical Manner
Sculpture of a Horseman Accompanied by Standing Woman
Sketches of Male Profiles, Couple Embracing