Girolamo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Saint John the Evangelist
Girolamo Scarselli Italian, c. 1645-c. 1670
Allegory of Peace and War
Pompeo Girolamo Batoni (Italian, 1708–1787)
Time Unveiling Truth
The Death of St. Peter Martyr
Giovanni Girolamo Savoldo (Italian, active 1506–1548)
Saint Luke Drawing the Virgin and Christ Child
Girolamo da Carpi (Girolamo Sellari; Italian, c. 1501–1556)
Don José Moñino y Redondo, Conde de Floridablanca
Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps
Girolamo Macchietti, after Italian, c. 1535-1592
Judith with the Head of Holofernes
Girolamo Mocetto (Italian, c.1470-after 1531) after Andrea Mantegna (Italian, 1431-1506)
The Calumny of Apelles
Girolamo Mocetto (Italian, c. 1470-after 1531) after Andrea Mantegna (Italian, 1431-1506)
Frieze with Tritons and Nymphs
Girolamo Mocetto Italian, c.1470-after 1531
Saint Andrew
Aphrodite
Workshop of Girolamo Campagna (Italian, 1549–before 1625)
Battle between Cavalry and Foot Soldiers
After Girolamo Genga Italian, c. 1476-1551
Virgin and Child Enthroned
Girolamo da Santacroce (Italian, born 1480-85, died 1556)
The Meeting of Joachim and Anna at the Golden Gate
Girolamo Mazzola Bedoli Italian, c. 1510-c. 1569
Mythological Pageant (recto); Illegible Inscriptions and Anatomical Studies of Head (verso)
Girolamo Genga Italian, c. 1476-1551
Ancient Sarcophagus Relief with the Labors of Hercules
Attributed to Girolamo Sellari, called Girolamo da Carpi Italian, 1501-1556
Ancient Relief with Hercules and the Mares of Diomedes (recto); Two Sketches: Draped Satyr and Winged Female Figure (verso)
After Girolamo Sellari, called Girolamo da Carpi Italian, 1501-1556
Blenheim Palace Sarcophagus: Bacchanale with Lion's Head
Girolamo Sellari, called Girolamo da Carpi Italian, 1501-1556