Aegidius’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Georg III Thurzo of Bethlendorf
Aegidius Sadeler Flemish, 1570-1629
Portrait of Bartolomaeus Spranger with an Allegory of the Death of His Wife, Christina Müller
Aegidius Sadeler Flemish, c. 1570-1629
Venus Receiving Gifts
Aegidius Sadeler (Flemish, 1570-1629) after Bartholomaeus Spranger (Flemish, 1546-1611)
Portrait of Emperor Matthias
Head of an Apostle
Aegidius Sadeler II (Flemish, c. 1570-1629) after Albrecht Dürer (German, 1471-1528)
Vladislav Hall, Prague Castle, the Annual Fair
Aegidius Sadeler II Flemish, c. 1570–1629
Hercules and Omphale
Aegidius Sadeler, II (Flemish, c. 1570–1629) after Bartholomaeus Spranger (Flemish, 1546–1611)
Burkhard von Berlichingen, Councilor to Rudolph II
Sigismund Bathori, Prince of Transylvania
Franciscus de Padoanis Foroliviensis (Francesco da Forlì)
Rudolph II, Holy Roman Emperor
Adoration of the Magi
Aegidius Sadeler II (Flemish, c. 1570–1629) after Hans von Aachen (German, 1552-1616) and Joris Hoefnagel (Flemish, 1542-1601)
Rest on the Flight into Egypt
Aegidius Sadeler II (Flemish, c. 1570–1629) after Bartholomeus Spranger (Flemish, 1546–1611) and Joris Hoefnagel (Flemish, 1542-1601)
Anna, Wife of Emperor Matthias
Emperor Matthias
The Emperor Rudolph II
Aegidius Sadeler II (Flemish, c. 1570–1629) after Hans von Aachen (German, 1551-1616)
Pieter Brueghel II
Aegidius Sadeler II Flemish, c. 1570–1629) after Bartholomeus Spranger (Flemish, 1546–1611)
Noli Me Tangere
Aegidius Sadeler II (Flemish, c. 1570–1629) after Bartholomeus Spranger (Flemish, 1546–1611)
The Nativity
Aegidius Sadeler II (Flemish, c. 1570–1629) after Hans von Aachen (German, 1552-1616)