Adrian’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Fountain at Grottaferrata
Ludwig Richter (German, 1803–1884)
Grotta Ferrata
Adrian Ludwig Richter German, 1803-1884
Monte Circello
Ludwig Richter German, 1803-1884
Rocca di Mezzo
Ludwig Richter German, 1803–1884
Max Herrmann-Neisse
Ludwig Meidner German, 1884–1966
Kummeralp Mountain and Two Sheds
Ernst Ludwig Kirchner German, 1880–1938
Portrait of Otto Mueller
Ernst Ludwig Kirchner German, 1880-1938
Woman Descending the Staircase (Frau die Treppe herabgehend)
Gerhard Richter German, born 1932
Highrise City (Hochhausstadt), Perspective View
Ludwig Karl Hilberseimer American, born Germany, 1885–1967
Cup in the Form of a Horse and Rider
Hans Ludwig Kienle (born Ulm [now Germany], 1591–1653) Ulm (now Germany)
Highrise City (Hochhausstadt): Perspective View: North-South Street
Ludwig Karl Hilberseimer American, born Germany, 1885-1967
Two Nudes
Inside the Colosseum
Franz Ludwig Catel (German, 1778–1856)
Mixed Height Housing Development (Mischbebauung), Berlin, Germany, Aerial Perspective
Court House Studies, Interior Perspective Study
Ludwig Mies van der Rohe American, born Germany, 1886–1969
Slant-Front Desk
Attributed to Heinrich Ludwig Rohde (German, 1683–1755) or Ferdinand Plitzner (German, 1678–1724) Germany, Mainz
Apocalyptic Landscape
Ludwig Meidner German, 1884-1966
Settlement Units Density Studies, Aerial Perspective
Gerda Schilling, the Artist's Sister-in-Law
Man's Head with Nude